Installation & Media Based (selected)
Permanent Residency | New show by Sala-manca in collaboration with Adi Kaplan, Shahar Carmel, Ktura Manor and Brian Hoad
Link to the website: https://museumofthecontemporary.com/ 20 years of the Sala-Manca Group Permanent Residency An exhibit with footnotes and performative actions with the collaboration of Adi Kaplan and Shahar Carmel, Ktura Manor and Brian Hoad Hansen House and Mamuta Art & Research
Permanent Residency | New show by Sala-manca in collaboration with Adi Kaplan, Shahar Carmel, Ktura Manor and Brian Hoad
Link to the website: https://museumofthecontemporary.com/ 20 years of the Sala-Manca Group Permanent Residency An exhibit with footnotes and performative actions with the collaboration of Adi Kaplan and Shahar Carmel, Ktura Manor and Brian Hoad Hansen House and Mamuta Art & Research
Pulke’s Visit (2004/2020) (video work)
Pulke’s visit (a sculptor by Pesach Slabosky z”l) at the Sala-Manca’s house in Nachlaot in 2004, his chance to encounter a rooster and his first visit to the Israel Museum . The materials were filmed in 2004 and we edited
Pulke’s Visit (2004/2020) (video work)
Pulke’s visit (a sculptor by Pesach Slabosky z”l) at the Sala-Manca’s house in Nachlaot in 2004, his chance to encounter a rooster and his first visit to the Israel Museum . The materials were filmed in 2004 and we edited
Que se vayan todos! New Exhibition at Mamuta at the Hansen House
17.9.19-25.10.19 All of them must go! Sala-Manca group, João Delgado, in cooperation with Amir Bolzman and Ariel Armoni, Yeshayahu Rabinowitz and Maya Shleifer Reconstruction of Que Se Vayan Todos! procession: Las Piratas Piratas & Sala-Manca Video of Delgado’s poetry: Collaboration
Que se vayan todos! New Exhibition at Mamuta at the Hansen House
17.9.19-25.10.19 All of them must go! Sala-Manca group, João Delgado, in cooperation with Amir Bolzman and Ariel Armoni, Yeshayahu Rabinowitz and Maya Shleifer Reconstruction of Que Se Vayan Todos! procession: Las Piratas Piratas & Sala-Manca Video of Delgado’s poetry: Collaboration
Jerusalem
Ministry of Culture show 2017 at Ashdod Art Museum (9.2019-5.2020) “Jerusalem” from the garbage municipal container at Mishmarot st, Musrara, Jerusalem. Info about the show in the first comment .
Jerusalem
Ministry of Culture show 2017 at Ashdod Art Museum (9.2019-5.2020) “Jerusalem” from the garbage municipal container at Mishmarot st, Musrara, Jerusalem. Info about the show in the first comment .
No Confidence, new video by Sala-manca and Amir Bolzman
In the frame of the exhibition “Barbarians” at Mamuta at the Hansen House, curated by Sagit Mezamer, Yehudit Shlosberg-Yogev, Nurit Dreamer, Ein Kristal and Amir Bolzman No Confidence by the Sala-Manca group in collaboration with Amir Boltzman—including a recreation of
No Confidence, new video by Sala-manca and Amir Bolzman
In the frame of the exhibition “Barbarians” at Mamuta at the Hansen House, curated by Sagit Mezamer, Yehudit Shlosberg-Yogev, Nurit Dreamer, Ein Kristal and Amir Bolzman No Confidence by the Sala-Manca group in collaboration with Amir Boltzman—including a recreation of
Preserved myself at the Imaginary Republic, Kunsthall 3.14, Bergen
The Imaginary Republic | 18.10. – 16.12.2018 | Kunsthall 3.14, Bergen, Norway Tatiana Fiodorova | Brandon LaBelle / Octavio Camargo | Sala-manca group | Joulia Strauss Curator: Brandon Labelle https://www.kunsthall314.art/upcoming The Imaginary Republic looks at questions of public life and civic culture in today’s globally
Preserved myself at the Imaginary Republic, Kunsthall 3.14, Bergen
The Imaginary Republic | 18.10. – 16.12.2018 | Kunsthall 3.14, Bergen, Norway Tatiana Fiodorova | Brandon LaBelle / Octavio Camargo | Sala-manca group | Joulia Strauss Curator: Brandon Labelle https://www.kunsthall314.art/upcoming The Imaginary Republic looks at questions of public life and civic culture in today’s globally
Sala-manca’s Garage Sale | Solo (selling) Exhibition
Sala-manca’s Garage Sale | Solo (selling) Exhibition Kfar Saba Municipal Gallery | Curator: Meira Perry-Lehmann |24.5-24.7 The last exhibition presented at the Kfar Saba City Gallery during the current school year is also the last show – for the time
Sala-manca’s Garage Sale | Solo (selling) Exhibition
Sala-manca’s Garage Sale | Solo (selling) Exhibition Kfar Saba Municipal Gallery | Curator: Meira Perry-Lehmann |24.5-24.7 The last exhibition presented at the Kfar Saba City Gallery during the current school year is also the last show – for the time
Hamavdil 1&2 [sound intervention]
“Hamavdil 1” is a sound intervention in the West Jerusalem soundscape from a temporary tower built at Hansen House by the Czech architecht Martin Rainisj. “Havdala” [Differenciation] is a ritual prayer and ceremony that marks the end of the Jewish
Hamavdil 1&2 [sound intervention]
“Hamavdil 1” is a sound intervention in the West Jerusalem soundscape from a temporary tower built at Hansen House by the Czech architecht Martin Rainisj. “Havdala” [Differenciation] is a ritual prayer and ceremony that marks the end of the Jewish
Absentees Landscapes at The Hive, Encinitas, San Diego
The Hive, Leichtag Foundation | Encinitas, San Diego | October 2017 In the winter of 2017, a group of artists (the SalaManca Group, Nir Yahalom, Ktura Manor and Max Epstein) began building an unauthorized but accurate replica
Absentees Landscapes at The Hive, Encinitas, San Diego
The Hive, Leichtag Foundation | Encinitas, San Diego | October 2017 In the winter of 2017, a group of artists (the SalaManca Group, Nir Yahalom, Ktura Manor and Max Epstein) began building an unauthorized but accurate replica
Paradise Inn (The Model) by Itamar Mendes-Flohr and Sala-manca
On Paradise Inn Hotel (model) curated by Yaakov Israel, in the frame of “Autarkic Economy”, Hansen House, September-October 2017 Since its founding, Sala-Manca has wandered between places, stemming from the perception that the “center”, as the compasses manufacturer Arturo Maura
Paradise Inn (The Model) by Itamar Mendes-Flohr and Sala-manca
On Paradise Inn Hotel (model) curated by Yaakov Israel, in the frame of “Autarkic Economy”, Hansen House, September-October 2017 Since its founding, Sala-Manca has wandered between places, stemming from the perception that the “center”, as the compasses manufacturer Arturo Maura
Absentees Landscapes and the Eternal Sukkah at Rum 46, Aarhus
Absentees Landscapes & Eternal Sukkah Documents in the frame of “Room for Improved Futures” curated by Agnieszka Wołodźko and Grete Aagaard. Presentation of video materials, prints, documents and a “Sukkah Lamp”. for more info on the projects: http://sala-manca.net/?p=1211 http://sala-manca.net/?cat=274
Absentees Landscapes and the Eternal Sukkah at Rum 46, Aarhus
Absentees Landscapes & Eternal Sukkah Documents in the frame of “Room for Improved Futures” curated by Agnieszka Wołodźko and Grete Aagaard. Presentation of video materials, prints, documents and a “Sukkah Lamp”. for more info on the projects: http://sala-manca.net/?p=1211 http://sala-manca.net/?cat=274
Absentees Landscapes (review by Nicole Bauke), Jerusalem Post, 28.7.2017
Absentees Landscapes (review by Nicole Bauke), Jerusalem Post, 28.7.2017 Click the image or on-line version
Absentees Landscapes (review by Nicole Bauke), Jerusalem Post, 28.7.2017
Absentees Landscapes (review by Nicole Bauke), Jerusalem Post, 28.7.2017 Click the image or on-line version
Absentee Landscapes | A project by Sala-Manca in collaboration with Nir Yahalom, Ktura Manor, Adi Kaplan and Shachar Carmel
In the winter of 2017, a group of artists (the SalaManca Group, Nir Yahalom, Ktura Manor and Max Epstein) began building an unauthorized but accurate replica of a painted wooden sukkah from Germany (dating to 1850), which is on display
Absentee Landscapes | A project by Sala-Manca in collaboration with Nir Yahalom, Ktura Manor, Adi Kaplan and Shachar Carmel
In the winter of 2017, a group of artists (the SalaManca Group, Nir Yahalom, Ktura Manor and Max Epstein) began building an unauthorized but accurate replica of a painted wooden sukkah from Germany (dating to 1850), which is on display
The Eternal Sukkah and Bawadi Documents at the Imaginary Republic, Bergen
The Eternal Sukkah project (developed by us in collabortion with Itamar Mendes-Flohr and Yeshaiahu Rabinowitz) and the www.bawadi.org development project by the Jahalin Community at Tag Team Studio in Bergen, in a project runed by Brandon LaBelle in the frame
The Eternal Sukkah and Bawadi Documents at the Imaginary Republic, Bergen
The Eternal Sukkah project (developed by us in collabortion with Itamar Mendes-Flohr and Yeshaiahu Rabinowitz) and the www.bawadi.org development project by the Jahalin Community at Tag Team Studio in Bergen, in a project runed by Brandon LaBelle in the frame
The Imaginary Republic (Part 2)
22/09/2016 – 16/10/2016 Sat–sun kl. 12:00–17:00 Vernissage: 22/09 kl. 19:00 – 23:00 OPENING: The Imaginary Republic (Part 2) HÉLÈNE FRICHOT MARYSIA LEWANDOWSKA DIEGO ROTMAN (Sala-Manca Group) LISE SKOU September 22nd – October 16th Welcome to the opening of the second part of
The Imaginary Republic (Part 2)
22/09/2016 – 16/10/2016 Sat–sun kl. 12:00–17:00 Vernissage: 22/09 kl. 19:00 – 23:00 OPENING: The Imaginary Republic (Part 2) HÉLÈNE FRICHOT MARYSIA LEWANDOWSKA DIEGO ROTMAN (Sala-Manca Group) LISE SKOU September 22nd – October 16th Welcome to the opening of the second part of
Video Documentation: On Hybridization, Transience, and Refugees | Israel Museum | 2.2.16
Video Documentation [Hebrew. Arabic& Hebrew] 2.2. 2016 | On Hybridization, Transience, and Refugees | Israel Museum Entire documentation of a discussion focusing on The Eternal Sukkah by the Sala-Manca group, together with Itamar Mendes-Flohr and Yeshaiau Rabinowitz. For more info
Video Documentation: On Hybridization, Transience, and Refugees | Israel Museum | 2.2.16
Video Documentation [Hebrew. Arabic& Hebrew] 2.2. 2016 | On Hybridization, Transience, and Refugees | Israel Museum Entire documentation of a discussion focusing on The Eternal Sukkah by the Sala-Manca group, together with Itamar Mendes-Flohr and Yeshaiau Rabinowitz. For more info
About the Eternal Sukkah Project, 2014-2015 | סוכת נצח
An illegal shanty structure from the Jahalin Bedouin community on the Jerusalem-Jericho Road purchased, dismantled, and reassembled in the as a Jewish Sukkah at the Jerusalem Hansen House for Art, Design and Technology in October 2014 was purchased by the
About the Eternal Sukkah Project, 2014-2015 | סוכת נצח
An illegal shanty structure from the Jahalin Bedouin community on the Jerusalem-Jericho Road purchased, dismantled, and reassembled in the as a Jewish Sukkah at the Jerusalem Hansen House for Art, Design and Technology in October 2014 was purchased by the
The Eternal Sukkah in exhibit at the Israel Museum
The Eternal Sukkah, by Sala-manca in collaboration with Itamar Mendes-Flohr and Yeshaiau Rabinowitz is in exhibit at the exhibition “We the People“, curated by Rita Kersting, Israel Museum, Jerusalem.
The Eternal Sukkah in exhibit at the Israel Museum
The Eternal Sukkah, by Sala-manca in collaboration with Itamar Mendes-Flohr and Yeshaiau Rabinowitz is in exhibit at the exhibition “We the People“, curated by Rita Kersting, Israel Museum, Jerusalem.
Paradise
Paradise Inn Paradise Inn, Talbiyeh, Jerusalem. A dream for only one person. Infinite stars and a real gate to paradise. Reserve your room at the former Lepers’ home. Jerusalem, where any piece of land can become your temporary dwelling. In
Paradise
Paradise Inn Paradise Inn, Talbiyeh, Jerusalem. A dream for only one person. Infinite stars and a real gate to paradise. Reserve your room at the former Lepers’ home. Jerusalem, where any piece of land can become your temporary dwelling. In
La Máquina de Hacer Pájaros, 2014
Formica and wood box, miniature printed circuit board (PCB), MP3 players, audio sockets and earphones, power supply, metal leg, two sofas from Casa Argentina, Jerusalem Text: João Delgado; music: Yarden Erez; electronic system: Amir Markovitz; programming Exhibited in the frame
La Máquina de Hacer Pájaros, 2014
Formica and wood box, miniature printed circuit board (PCB), MP3 players, audio sockets and earphones, power supply, metal leg, two sofas from Casa Argentina, Jerusalem Text: João Delgado; music: Yarden Erez; electronic system: Amir Markovitz; programming Exhibited in the frame