Author Archives: salamanca

Exposición de Sala-Manca celebrando 20 años, por Chiquita Levov

“Residencia permanente” es una nueva exposición en el Beit Hansen, que surgió tras el viaje de los miembros del grupo Sala-Manca a una larga estadía en la provincia de Ontario en Canadá y su posterior regreso a la realidad israelí

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Exposición de Sala-Manca celebrando 20 años, por Chiquita Levov

“Residencia permanente” es una nueva exposición en el Beit Hansen, que surgió tras el viaje de los miembros del grupo Sala-Manca a una larga estadía en la provincia de Ontario en Canadá y su posterior regreso a la realidad israelí

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For the Sake of Heaven

For the Sake of Heaven – Podcast devoted to the 20 years of the Sala-mana Group with Ronen Eidelman and Yonatarn Amir.

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For the Sake of Heaven

For the Sake of Heaven – Podcast devoted to the 20 years of the Sala-mana Group with Ronen Eidelman and Yonatarn Amir.

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Book Review: The Ethnographic Department by Talia Tokatly [Hebrew]

link to the review (in Hebrew): https://www.erev-rav.com/archives/52219

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Book Review: The Ethnographic Department by Talia Tokatly [Hebrew]

link to the review (in Hebrew): https://www.erev-rav.com/archives/52219

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Permanent Residency | New show by Sala-manca in collaboration with Adi Kaplan, Shahar Carmel, Ktura Manor and Brian Hoad

Link to the website: https://museumofthecontemporary.com/ 20 years of the Sala-Manca Group Permanent Residency An exhibit with footnotes and performative actions with the collaboration of Adi Kaplan and Shahar Carmel, Ktura Manor and Brian Hoad Hansen House and Mamuta Art & Research

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Permanent Residency | New show by Sala-manca in collaboration with Adi Kaplan, Shahar Carmel, Ktura Manor and Brian Hoad

Link to the website: https://museumofthecontemporary.com/ 20 years of the Sala-Manca Group Permanent Residency An exhibit with footnotes and performative actions with the collaboration of Adi Kaplan and Shahar Carmel, Ktura Manor and Brian Hoad Hansen House and Mamuta Art & Research

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Pulke’s Visit (2004/2020) (video work)

Pulke’s visit (a sculptor by Pesach Slabosky z”l) at the Sala-Manca’s house in Nachlaot in 2004,  his chance to encounter a rooster and  his first visit to the Israel Museum . The materials were filmed in 2004 and we edited

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Pulke’s Visit (2004/2020) (video work)

Pulke’s visit (a sculptor by Pesach Slabosky z”l) at the Sala-Manca’s house in Nachlaot in 2004,  his chance to encounter a rooster and  his first visit to the Israel Museum . The materials were filmed in 2004 and we edited

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The Jerusalem art show goes online to defy coronavirus – Review by Barry Davis

Link to the review

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The Jerusalem art show goes online to defy coronavirus – Review by Barry Davis

Link to the review

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Hearat Shulaym Art Journal – Issue 13 – April 2020

New Issue of Hearat Shulaym Independent Art Journal edited independently by Sala-manca. The issue was produce during the Covid-19 isolation time (April 2020) with contributions by (unfinished list) :Shoshke Engelmayer, Rotem Engelmayer, Tal Mor Sinai, Josef Sprinzak, Merav Shinn Ben-Alon,

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Hearat Shulaym Art Journal – Issue 13 – April 2020

New Issue of Hearat Shulaym Independent Art Journal edited independently by Sala-manca. The issue was produce during the Covid-19 isolation time (April 2020) with contributions by (unfinished list) :Shoshke Engelmayer, Rotem Engelmayer, Tal Mor Sinai, Josef Sprinzak, Merav Shinn Ben-Alon,

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Heara 13: Something is Rotten in the State of Denmark (or the Threepenny Platform)

Heara 13: Something is Rotten in the State of Denmark (or a Threepenny Platform) “From Zion will emerge the DictaTorah (Dzigan and Schumacher,1956) Since the first event in 2001, the aim of Heara [Comment] events (multidisciplinary independent events for contemporary

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Heara 13: Something is Rotten in the State of Denmark (or the Threepenny Platform)

Heara 13: Something is Rotten in the State of Denmark (or a Threepenny Platform) “From Zion will emerge the DictaTorah (Dzigan and Schumacher,1956) Since the first event in 2001, the aim of Heara [Comment] events (multidisciplinary independent events for contemporary

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That We’ve Forgotten The Rain by Itamar Mendes-Flohr (curation)

Itamar Mendes-Flohr Curators: Sala-Manca Group That we’ve forgotten the rain / we recall only when it rains / and there’s no longer any point in discovering what’s been forgotten / and grieving its absence” (Joao Delgado) The conceptual point of

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That We’ve Forgotten The Rain by Itamar Mendes-Flohr (curation)

Itamar Mendes-Flohr Curators: Sala-Manca Group That we’ve forgotten the rain / we recall only when it rains / and there’s no longer any point in discovering what’s been forgotten / and grieving its absence” (Joao Delgado) The conceptual point of

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*Heara – Independent Art in Jerusalem at the Beginning of the 21st Century – Book

Ronen Eidelman, Lea Mauas, Diego Rotman (eds.), *Heara – Independent Art in Jerusalem at the Beginning of the 21st Century, 2014, Jerusalem: Hearat Shulaym, 2014 [English and Hebrew | Book, 352 p.] *Heara is a collection of testimonies, reflections, interpretations and documentations of Heara events, as well as

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*Heara – Independent Art in Jerusalem at the Beginning of the 21st Century – Book

Ronen Eidelman, Lea Mauas, Diego Rotman (eds.), *Heara – Independent Art in Jerusalem at the Beginning of the 21st Century, 2014, Jerusalem: Hearat Shulaym, 2014 [English and Hebrew | Book, 352 p.] *Heara is a collection of testimonies, reflections, interpretations and documentations of Heara events, as well as

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Que se vayan todos! New Exhibition at Mamuta at the Hansen House

17.9.19-25.10.19 All of them must go! Sala-Manca group, João Delgado, in cooperation with Amir Bolzman and Ariel Armoni, Yeshayahu Rabinowitz and Maya Shleifer Reconstruction of Que Se Vayan Todos! procession: Las Piratas Piratas & Sala-Manca Video of Delgado’s poetry: Collaboration

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Que se vayan todos! New Exhibition at Mamuta at the Hansen House

17.9.19-25.10.19 All of them must go! Sala-Manca group, João Delgado, in cooperation with Amir Bolzman and Ariel Armoni, Yeshayahu Rabinowitz and Maya Shleifer Reconstruction of Que Se Vayan Todos! procession: Las Piratas Piratas & Sala-Manca Video of Delgado’s poetry: Collaboration

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Jerusalem

Ministry of Culture show 2017 at Ashdod Art Museum (9.2019-5.2020) “Jerusalem” from the garbage municipal container at Mishmarot st, Musrara, Jerusalem. Info about the show in the first comment .  

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Jerusalem

Ministry of Culture show 2017 at Ashdod Art Museum (9.2019-5.2020) “Jerusalem” from the garbage municipal container at Mishmarot st, Musrara, Jerusalem. Info about the show in the first comment .  

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Dubbing the Dead: Der Dybbuk 1937–2017 at the Jerusalem YMCA Hall by Zehavit Stern (TDR, 63, 2, 2019)

A great review about Der Dybbuk 1937-2017, by Dr. Zehavit Stern at the The Drama Review (TDR) ” Rather than embalming the dead (the origins of art according to Bazin), it endows them with an afterlife, or rather, to use

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Dubbing the Dead: Der Dybbuk 1937–2017 at the Jerusalem YMCA Hall by Zehavit Stern (TDR, 63, 2, 2019)

A great review about Der Dybbuk 1937-2017, by Dr. Zehavit Stern at the The Drama Review (TDR) ” Rather than embalming the dead (the origins of art according to Bazin), it endows them with an afterlife, or rather, to use

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New Article: The Fragile Boundaries of Paradise

A new article recently published as part of the book Borderlines: Essays on Mapping and The Logic of Place, edited by Ruthie Abeliovich and Edwin Seroussi. Link to the article

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New Article: The Fragile Boundaries of Paradise

A new article recently published as part of the book Borderlines: Essays on Mapping and The Logic of Place, edited by Ruthie Abeliovich and Edwin Seroussi. Link to the article

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No Confidence, new video by Sala-manca and Amir Bolzman

In the frame of the exhibition “Barbarians” at Mamuta at the Hansen House, curated by Sagit Mezamer, Yehudit Shlosberg-Yogev, Nurit Dreamer, Ein Kristal and Amir Bolzman No Confidence by the Sala-Manca group in collaboration with Amir Boltzman—including a recreation of

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No Confidence, new video by Sala-manca and Amir Bolzman

In the frame of the exhibition “Barbarians” at Mamuta at the Hansen House, curated by Sagit Mezamer, Yehudit Shlosberg-Yogev, Nurit Dreamer, Ein Kristal and Amir Bolzman No Confidence by the Sala-Manca group in collaboration with Amir Boltzman—including a recreation of

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The Stage as Temporary Home, review by Arieh Sover (Hebrew)

Link to the article

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The Stage as Temporary Home, review by Arieh Sover (Hebrew)

Link to the article

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Preserved myself at the Imaginary Republic, Kunsthall 3.14, Bergen

The Imaginary Republic | ​18.10. – 16.12.2018  | Kunsthall 3.14, Bergen, Norway Tatiana Fiodorova | Brandon LaBelle / Octavio Camargo | Sala-manca group | Joulia Strauss Curator: Brandon Labelle https://www.kunsthall314.art/upcoming ​The Imaginary Republic looks at questions of public life and civic culture in today’s globally

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Preserved myself at the Imaginary Republic, Kunsthall 3.14, Bergen

The Imaginary Republic | ​18.10. – 16.12.2018  | Kunsthall 3.14, Bergen, Norway Tatiana Fiodorova | Brandon LaBelle / Octavio Camargo | Sala-manca group | Joulia Strauss Curator: Brandon Labelle https://www.kunsthall314.art/upcoming ​The Imaginary Republic looks at questions of public life and civic culture in today’s globally

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Temporary Dwelling, Fragile Structures: Sukkot 2018, Canada

The Sala-manca Group (ISL/ARG) presents the OFF/SITE series Sukkot (Jewish tabernacles) is a seven-day Jewish celebration commemorating the forty years of travel through the desert after the exodus from Egypt. During the celebration, temporary dwellings called sukkah are built with

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Temporary Dwelling, Fragile Structures: Sukkot 2018, Canada

The Sala-manca Group (ISL/ARG) presents the OFF/SITE series Sukkot (Jewish tabernacles) is a seven-day Jewish celebration commemorating the forty years of travel through the desert after the exodus from Egypt. During the celebration, temporary dwellings called sukkah are built with

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