Author Archives: salamanca

Sala-manca’s Garage Sale | Solo (selling) Exhibition

Sala-manca’s Garage Sale | Solo (selling) Exhibition Kfar Saba Municipal Gallery | Curator: Meira Perry-Lehmann |24.5-24.7 The last exhibition presented at the Kfar Saba City Gallery during the current school year is also the last show – for the time

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Sala-manca’s Garage Sale | Solo (selling) Exhibition

Sala-manca’s Garage Sale | Solo (selling) Exhibition Kfar Saba Municipal Gallery | Curator: Meira Perry-Lehmann |24.5-24.7 The last exhibition presented at the Kfar Saba City Gallery during the current school year is also the last show – for the time

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Amor a la complejidad por José García Calero (Review at ABC)

Review by José García Calero about the Hamavdil project.  For link on-line and film click here

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Amor a la complejidad por José García Calero (Review at ABC)

Review by José García Calero about the Hamavdil project.  For link on-line and film click here

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Dzigan as Golde, Shumacher as Reb Dovidl, Review at Haaretz by Yaad Biran [Hebrew]

for the entire article:   https://www.haaretz.co.il/literature/study/.premium-1.5871355 הבמה כבית ארעי: התיאטרון של דז’יגאן ושומאכר (1980-1927), מאת דיאגו רוטמן, הוצאתמאגנס, 2017, 344 עמודים Haaretz, 9.3.18

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Dzigan as Golde, Shumacher as Reb Dovidl, Review at Haaretz by Yaad Biran [Hebrew]

for the entire article:   https://www.haaretz.co.il/literature/study/.premium-1.5871355 הבמה כבית ארעי: התיאטרון של דז’יגאן ושומאכר (1980-1927), מאת דיאגו רוטמן, הוצאתמאגנס, 2017, 344 עמודים Haaretz, 9.3.18

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Yechiel Sheintuch’s Review in Yiddish, Forwerts, 9.3.2018

http://yiddish.forward.com/articles/208445/translating-the-jewish-experience-into-masterful-s/

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Yechiel Sheintuch’s Review in Yiddish, Forwerts, 9.3.2018

http://yiddish.forward.com/articles/208445/translating-the-jewish-experience-into-masterful-s/

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Interview with Sala-manca by Judith Lenglart and Danielle Gorodenzi at Third Text

An interview with us conducted in English by Judith Lenglart and Danielle Gorodenzik Gee was published at the Third Text Magazine. Carried out in the frame of the Bezalel Coloquium organized by Nirith Nelson.

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Interview with Sala-manca by Judith Lenglart and Danielle Gorodenzi at Third Text

An interview with us conducted in English by Judith Lenglart and Danielle Gorodenzik Gee was published at the Third Text Magazine. Carried out in the frame of the Bezalel Coloquium organized by Nirith Nelson.

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The Stage as a Temporary Home On Dzigan and Shumacher’s Theater (1927-1980), by Diego Rotman & launching event

The Stage as a Temporary Home [in Hebrew] takes us through the fascinating stages in the life and career of the duo Shimen Dzigan and IsroelShumacher, over the course of half a century – from the beginning of their work at the

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The Stage as a Temporary Home On Dzigan and Shumacher’s Theater (1927-1980), by Diego Rotman & launching event

The Stage as a Temporary Home [in Hebrew] takes us through the fascinating stages in the life and career of the duo Shimen Dzigan and IsroelShumacher, over the course of half a century – from the beginning of their work at the

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The Only Weapon I have is the Quill Pen | Ayala Landau and Lior Pinsky, Itamar Mendes-Flohr, and Eran Sachs

The Only Weapon I have is the Quill Pen” | Itamar Mendes-Flohr, Eran Sachs, Ayala Landau, Lior Pinsky Opening: Saturday, December 30, 2017, 19:00 Opening Hours: Monday and Tuesday: 12:00-16:00, Wednesday: 14:00-18:00, Friday : 10:00-14:00 Curators: Lior Pinsky and Sala-Manca Group

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The Only Weapon I have is the Quill Pen | Ayala Landau and Lior Pinsky, Itamar Mendes-Flohr, and Eran Sachs

The Only Weapon I have is the Quill Pen” | Itamar Mendes-Flohr, Eran Sachs, Ayala Landau, Lior Pinsky Opening: Saturday, December 30, 2017, 19:00 Opening Hours: Monday and Tuesday: 12:00-16:00, Wednesday: 14:00-18:00, Friday : 10:00-14:00 Curators: Lior Pinsky and Sala-Manca Group

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For Her Own Good | Ofri Cnaani

For Her Own Good | Ofri Cnaani 30.12.2017-10.2.2018 Curator & Text: Shirly Bahar, Curator in Jerusalem: Sala-manca Opening: Sat. 30.12.17 | 18:00 Talk with the Artists and Curators |  Opening at 19:00 Opening Hours: Monday and Tuesday: 12:00-16:00, Wednesday: 14:00-18:00, Friday (performance):

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For Her Own Good | Ofri Cnaani

For Her Own Good | Ofri Cnaani 30.12.2017-10.2.2018 Curator & Text: Shirly Bahar, Curator in Jerusalem: Sala-manca Opening: Sat. 30.12.17 | 18:00 Talk with the Artists and Curators |  Opening at 19:00 Opening Hours: Monday and Tuesday: 12:00-16:00, Wednesday: 14:00-18:00, Friday (performance):

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The Next Dybbuk | A review by Eppie Bat Ilan at Erev Rav [Hebrew]

to the entire review in Hebrew הדיבוק הבא “מה שבטוח, המופע על ‘הדיבוק’ הוא דיבוק בעצמו, החייאה של עולם, שפה ומסרים שכביכול מתו, שבאים להגיד לנו כמה דברים דחופים על עצמנו בכלל ועל היחס בין תרבויות שהושארו מאחור והתרבות העכשווית”.

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The Next Dybbuk | A review by Eppie Bat Ilan at Erev Rav [Hebrew]

to the entire review in Hebrew הדיבוק הבא “מה שבטוח, המופע על ‘הדיבוק’ הוא דיבוק בעצמו, החייאה של עולם, שפה ומסרים שכביכול מתו, שבאים להגיד לנו כמה דברים דחופים על עצמנו בכלל ועל היחס בין תרבויות שהושארו מאחור והתרבות העכשווית”.

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Hamavdil 1&2 [sound intervention]

“Hamavdil 1″ is a sound intervention in the West Jerusalem soundscape from a temporary tower built at Hansen House by the Czech architecht Martin Rainisj. “Havdala” [Differenciation] is a ritual prayer and ceremony that marks the end of the Jewish

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Hamavdil 1&2 [sound intervention]

“Hamavdil 1″ is a sound intervention in the West Jerusalem soundscape from a temporary tower built at Hansen House by the Czech architecht Martin Rainisj. “Havdala” [Differenciation] is a ritual prayer and ceremony that marks the end of the Jewish

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Der Dybbuk (1937-2017) | Film Performance, Jerusalem Film Festival

Der Dybbuk (1937-2017) Next performance: 22.11.2017 |  YMCA, Jerusalem | 20:30 | For further info click here 50 minutes | Film and Live Performance Directed by Michael Waszynski (Poland, 1937) with a new edition by Adi Kaplan, Shachar Carmel & Sala-manca

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Der Dybbuk (1937-2017) | Film Performance, Jerusalem Film Festival

Der Dybbuk (1937-2017) Next performance: 22.11.2017 |  YMCA, Jerusalem | 20:30 | For further info click here 50 minutes | Film and Live Performance Directed by Michael Waszynski (Poland, 1937) with a new edition by Adi Kaplan, Shachar Carmel & Sala-manca

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Panel on Absentees Landscapes at The Hive

Panel with Linda Caballero-Sotelo(Executive Director of http://newamericansmuseum.org ), Morad Elsana from the Bedouin community of Lakia, and Teaching Fellow at California Western School of Law, San Diego), Edith Koppel (from the Deller Family) and Charlene Seidle as moderator. Morad gave a

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Panel on Absentees Landscapes at The Hive

Panel with Linda Caballero-Sotelo(Executive Director of http://newamericansmuseum.org ), Morad Elsana from the Bedouin community of Lakia, and Teaching Fellow at California Western School of Law, San Diego), Edith Koppel (from the Deller Family) and Charlene Seidle as moderator. Morad gave a

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Absentees Landscapes at The Hive, Encinitas, San Diego

      The Hive, Leichtag Foundation | Encinitas, San Diego | October 2017 In the winter of 2017, a group of artists (the SalaManca Group, Nir Yahalom, Ktura Manor and Max Epstein) began building an unauthorized but accurate replica

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Absentees Landscapes at The Hive, Encinitas, San Diego

      The Hive, Leichtag Foundation | Encinitas, San Diego | October 2017 In the winter of 2017, a group of artists (the SalaManca Group, Nir Yahalom, Ktura Manor and Max Epstein) began building an unauthorized but accurate replica

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Hefziba Ita Shuali’s “Re~life”curated by Sala-manca at the Artist’s House Jerusalem

            Opening: Saturday, 16 September 2017 Closing: Saturday, 11 November 2017 Gallery talk: Tuesday, 17 October 2017 18:00 7th exhibition in the 20th Nidbach series  Shuali’scurrent exhibition, her first one, is much like her art:

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Hefziba Ita Shuali’s “Re~life”curated by Sala-manca at the Artist’s House Jerusalem

            Opening: Saturday, 16 September 2017 Closing: Saturday, 11 November 2017 Gallery talk: Tuesday, 17 October 2017 18:00 7th exhibition in the 20th Nidbach series  Shuali’scurrent exhibition, her first one, is much like her art:

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Paradise Inn (The Model) by Itamar Mendes-Flohr and Sala-manca

On Paradise Inn Hotel (model) curated by Yaakov Israel, in the frame of “Autarkic Economy”, Hansen House, September-October 2017 Since its founding, Sala-Manca has wandered between places, stemming from the perception that the “center”, as the compasses manufacturer Arturo Maura

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Paradise Inn (The Model) by Itamar Mendes-Flohr and Sala-manca

On Paradise Inn Hotel (model) curated by Yaakov Israel, in the frame of “Autarkic Economy”, Hansen House, September-October 2017 Since its founding, Sala-Manca has wandered between places, stemming from the perception that the “center”, as the compasses manufacturer Arturo Maura

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Absentees Landscapes and the Eternal Sukkah at Rum 46, Aarhus

Absentees Landscapes & Eternal Sukkah Documents in the frame of “Room for Improved Futures” curated by Agnieszka Wołodźko and Grete Aagaard. Presentation of video materials, prints, documents and a “Sukkah Lamp”. for more info on the projects: http://sala-manca.net/?p=1211 http://sala-manca.net/?cat=274

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Absentees Landscapes and the Eternal Sukkah at Rum 46, Aarhus

Absentees Landscapes & Eternal Sukkah Documents in the frame of “Room for Improved Futures” curated by Agnieszka Wołodźko and Grete Aagaard. Presentation of video materials, prints, documents and a “Sukkah Lamp”. for more info on the projects: http://sala-manca.net/?p=1211 http://sala-manca.net/?cat=274

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On the architecture of the ephemeral: The Eternal Sukkah of the Jahalin tribe, by Diego Rotman

Leading up to the 2014 festival of Sukkot, the Sala-Manca Artists’ Group, directors of the Mamuta Art and Media Centre at Hansen House, decided to create a public sukkah on the Hansen grounds as a temporary dwelling for its activities

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On the architecture of the ephemeral: The Eternal Sukkah of the Jahalin tribe, by Diego Rotman

Leading up to the 2014 festival of Sukkot, the Sala-Manca Artists’ Group, directors of the Mamuta Art and Media Centre at Hansen House, decided to create a public sukkah on the Hansen grounds as a temporary dwelling for its activities

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A Home Unfound: The Political Modeling of the Domestic Performance, by Daphna Ben-Shaul

his essay engages with domestic performances—that is, works performed in private homes—to explore the notion of domesticity within a political context, specifically in Israel. As a form of site-specific performance, domestic performance usually shifts among different modes of realization, which

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A Home Unfound: The Political Modeling of the Domestic Performance, by Daphna Ben-Shaul

his essay engages with domestic performances—that is, works performed in private homes—to explore the notion of domesticity within a political context, specifically in Israel. As a form of site-specific performance, domestic performance usually shifts among different modes of realization, which

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Absentees Landscapes (review by Nicole Bauke), Jerusalem Post, 28.7.2017

Absentees Landscapes (review by Nicole Bauke), Jerusalem Post, 28.7.2017 Click the image or on-line version

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Absentees Landscapes (review by Nicole Bauke), Jerusalem Post, 28.7.2017

Absentees Landscapes (review by Nicole Bauke), Jerusalem Post, 28.7.2017 Click the image or on-line version

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