Publications: Catalogues, Books, CDs & Writing

The Ethnographic Department of the Museum of the Contemporary [Hebrew]| Edited by Sala-manca (Lea Mauas, Diego Rotman) |

The Ethnographic Department of the Museum of the Contemporary [Hebrew]| Edited by Sala-manca (Lea Mauas, Diego Rotman) | Book Hebrew [English coming soon] Texts by: Galit Hasan-Rokem, Daphna Ben-Shaul, Rachel Elior, Shalom Sabar, Freddie Rokem, Sala-manca, Diego Rotman Works by:

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The Ethnographic Department of the Museum of the Contemporary [Hebrew]| Edited by Sala-manca (Lea Mauas, Diego Rotman) |

The Ethnographic Department of the Museum of the Contemporary [Hebrew]| Edited by Sala-manca (Lea Mauas, Diego Rotman) | Book Hebrew [English coming soon] Texts by: Galit Hasan-Rokem, Daphna Ben-Shaul, Rachel Elior, Shalom Sabar, Freddie Rokem, Sala-manca, Diego Rotman Works by:

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A Tool is a Tool is Rose, at Brooklyn Rail

A new text by us (A Tool is a Tool is a Rose), published as part of the “Tools and Contemporary Art” by Barbara London in the Guest Art Editor section of The Brooklyn Rail

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A Tool is a Tool is Rose, at Brooklyn Rail

A new text by us (A Tool is a Tool is a Rose), published as part of the “Tools and Contemporary Art” by Barbara London in the Guest Art Editor section of The Brooklyn Rail

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*Heara – Independent Art in Jerusalem at the Beginning of the 21st Century, 2014

Ronen Eidelman, Lea Mauas, Diego Rotman (eds.), *Heara – Independent Art in Jerusalem at the Beginning of the 21st Century, 2014, Jerusalem: Hearat Shulaym, 2014 [English and Hebrew | Book, 352 p.] *Heara is a collection of testimonies, reflections, interpretations and documentations of Heara events,

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*Heara – Independent Art in Jerusalem at the Beginning of the 21st Century, 2014

Ronen Eidelman, Lea Mauas, Diego Rotman (eds.), *Heara – Independent Art in Jerusalem at the Beginning of the 21st Century, 2014, Jerusalem: Hearat Shulaym, 2014 [English and Hebrew | Book, 352 p.] *Heara is a collection of testimonies, reflections, interpretations and documentations of Heara events,

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The Museum of the Contemporary, 2012

Sala-manca, The Museum of the Contemporary – Catalogue, 2012 | Design: Anat Vaknin  

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The Museum of the Contemporary, 2012

Sala-manca, The Museum of the Contemporary – Catalogue, 2012 | Design: Anat Vaknin  

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Kav, 2011

Catalogue of Guy Yitzhaki and Einat Amir joint exhibition at Mamuta in Ein Karem. Curators: Sala-manca Click to read the catalogue: KAV’s texts_Final for print

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Kav, 2011

Catalogue of Guy Yitzhaki and Einat Amir joint exhibition at Mamuta in Ein Karem. Curators: Sala-manca Click to read the catalogue: KAV’s texts_Final for print

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The End of the Landscape, 2011

The End of the Landscape, Ilana Zukerman & Sala-manca, CD + Booklet | Sound works by Ilana Zukerman and Sala-manca together with Ilana Zukerman | Desing: Anat Vaknin The CD is available at mamuta.org [booklet]

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The End of the Landscape, 2011

The End of the Landscape, Ilana Zukerman & Sala-manca, CD + Booklet | Sound works by Ilana Zukerman and Sala-manca together with Ilana Zukerman | Desing: Anat Vaknin The CD is available at mamuta.org [booklet]

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Reshimu

Catalogue of Tamar Shippony’s exhibition “Reshimu” | Curators: Sala-manca | Design: Anat Vaknin  

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Reshimu

Catalogue of Tamar Shippony’s exhibition “Reshimu” | Curators: Sala-manca | Design: Anat Vaknin  

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Między Wschodem a Zachodem. Jidysz i performens, 2010

Diego Rotman, Między Wschodem a Zachodem. Jidysz i performens, CWISZN, 2010 About Yiddish Contemporary Performance, published in Polish in Cwiszn

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Między Wschodem a Zachodem. Jidysz i performens, 2010

Diego Rotman, Między Wschodem a Zachodem. Jidysz i performens, CWISZN, 2010 About Yiddish Contemporary Performance, published in Polish in Cwiszn

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Tymczasowe obszary sztukirozwój niezaleznych praktyk artystycznych w Jerozolimie, Lea Mauas, Diego Rotman, 2006

 Tymczasowe obszary sztukirozwój niezaleznych praktyk artystycznych w Jerozolimie, Lea Mauas, Diego Rotman, Fort Sztuki, 2006

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Tymczasowe obszary sztukirozwój niezaleznych praktyk artystycznych w Jerozolimie, Lea Mauas, Diego Rotman, 2006

 Tymczasowe obszary sztukirozwój niezaleznych praktyk artystycznych w Jerozolimie, Lea Mauas, Diego Rotman, Fort Sztuki, 2006

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Note in the Margin | Hadas Ophrat Catalogue (2006)

Note in the Margin (a text for Hadas Ophrat catalogue, 2006) * HO walks on a thin wire. Red (the clothing, the moment). An underground prisoner sings a traveling song one moment before his hanging, an echo of yesterday’s underground

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Note in the Margin | Hadas Ophrat Catalogue (2006)

Note in the Margin (a text for Hadas Ophrat catalogue, 2006) * HO walks on a thin wire. Red (the clothing, the moment). An underground prisoner sings a traveling song one moment before his hanging, an echo of yesterday’s underground

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Sala-manca about Joao Delgado, 3.2004

Sala-manca about Joao Delgado, Time Out,  3.2004 click to enlarge

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Sala-manca about Joao Delgado, 3.2004

Sala-manca about Joao Delgado, Time Out,  3.2004 click to enlarge

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Temporary Artistic Zones, Diego Rotman & Lea Mauas, 2004

Temporary Artistic Zones, Diego Rotman & Lea Mauas, 2004 Published first in English in Maarav-Art Journal, in Hebrew in “Daka 4″, reprinted in *Heara – Independent Art in Jerusalem at the Beginning of the 20th Century, Ronen Eidelman, Lea Mauas,

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Temporary Artistic Zones, Diego Rotman & Lea Mauas, 2004

Temporary Artistic Zones, Diego Rotman & Lea Mauas, 2004 Published first in English in Maarav-Art Journal, in Hebrew in “Daka 4″, reprinted in *Heara – Independent Art in Jerusalem at the Beginning of the 20th Century, Ronen Eidelman, Lea Mauas,

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Hearat Shulaym Art Journal 1-11 (2001-2007)

Hearat Shulaym (Note in the Margin) was an Independent Journal of Contemporary Art and Literature published by the group of artists Sala-Manca. The purpose of the magazine “is to temporaly shift the gaze of the “reader” from the dominant culture,

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Hearat Shulaym Art Journal 1-11 (2001-2007)

Hearat Shulaym (Note in the Margin) was an Independent Journal of Contemporary Art and Literature published by the group of artists Sala-Manca. The purpose of the magazine “is to temporaly shift the gaze of the “reader” from the dominant culture,

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