Press & Articles (selected)

The Stage as a Temporary Home, Review by Michal Zamir

A new review of Diego Rotman’s book on Dzigan and Shumacher, The Stage as a Temporary Home, by Michal Zamir, Haaretz, 19.7.2018 https://www.haaretz.co.il/…/.premium-REVIEW-1.6290204

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The Stage as a Temporary Home, Review by Michal Zamir

A new review of Diego Rotman’s book on Dzigan and Shumacher, The Stage as a Temporary Home, by Michal Zamir, Haaretz, 19.7.2018 https://www.haaretz.co.il/…/.premium-REVIEW-1.6290204

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Arc Peste Timp | A review from The Dybbuk performance in Timisoara

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Arc Peste Timp | A review from The Dybbuk performance in Timisoara

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Amor a la complejidad por José García Calero (Review at ABC)

Review by José García Calero about the Hamavdil project.  For link on-line and film click here

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Amor a la complejidad por José García Calero (Review at ABC)

Review by José García Calero about the Hamavdil project.  For link on-line and film click here

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Dzigan as Golde, Shumacher as Reb Dovidl, Review at Haaretz by Yaad Biran [Hebrew]

for the entire article:   https://www.haaretz.co.il/literature/study/.premium-1.5871355 הבמה כבית ארעי: התיאטרון של דז’יגאן ושומאכר (1980-1927), מאת דיאגו רוטמן, הוצאתמאגנס, 2017, 344 עמודים Haaretz, 9.3.18

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Dzigan as Golde, Shumacher as Reb Dovidl, Review at Haaretz by Yaad Biran [Hebrew]

for the entire article:   https://www.haaretz.co.il/literature/study/.premium-1.5871355 הבמה כבית ארעי: התיאטרון של דז’יגאן ושומאכר (1980-1927), מאת דיאגו רוטמן, הוצאתמאגנס, 2017, 344 עמודים Haaretz, 9.3.18

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Interview with Sala-manca by Judith Lenglart and Danielle Gorodenzi at Third Text

An interview with us conducted in English by Judith Lenglart and Danielle Gorodenzik Gee was published at the Third Text Magazine. Carried out in the frame of the Bezalel Coloquium organized by Nirith Nelson.

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Interview with Sala-manca by Judith Lenglart and Danielle Gorodenzi at Third Text

An interview with us conducted in English by Judith Lenglart and Danielle Gorodenzik Gee was published at the Third Text Magazine. Carried out in the frame of the Bezalel Coloquium organized by Nirith Nelson.

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Pilgrimage by Dana Gillerman, 7 nights, Yediot Achronot [Hebrew] 23/2/18

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Pilgrimage by Dana Gillerman, 7 nights, Yediot Achronot [Hebrew] 23/2/18

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The Next Dybbuk | A review by Eppie Bat Ilan at Erev Rav [Hebrew]

to the entire review in Hebrew הדיבוק הבא “מה שבטוח, המופע על ‘הדיבוק’ הוא דיבוק בעצמו, החייאה של עולם, שפה ומסרים שכביכול מתו, שבאים להגיד לנו כמה דברים דחופים על עצמנו בכלל ועל היחס בין תרבויות שהושארו מאחור והתרבות העכשווית”.

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The Next Dybbuk | A review by Eppie Bat Ilan at Erev Rav [Hebrew]

to the entire review in Hebrew הדיבוק הבא “מה שבטוח, המופע על ‘הדיבוק’ הוא דיבוק בעצמו, החייאה של עולם, שפה ומסרים שכביכול מתו, שבאים להגיד לנו כמה דברים דחופים על עצמנו בכלל ועל היחס בין תרבויות שהושארו מאחור והתרבות העכשווית”.

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On the architecture of the ephemeral: The Eternal Sukkah of the Jahalin tribe, by Diego Rotman

Leading up to the 2014 festival of Sukkot, the Sala-Manca Artists’ Group, directors of the Mamuta Art and Media Centre at Hansen House, decided to create a public sukkah on the Hansen grounds as a temporary dwelling for its activities

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On the architecture of the ephemeral: The Eternal Sukkah of the Jahalin tribe, by Diego Rotman

Leading up to the 2014 festival of Sukkot, the Sala-Manca Artists’ Group, directors of the Mamuta Art and Media Centre at Hansen House, decided to create a public sukkah on the Hansen grounds as a temporary dwelling for its activities

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A Home Unfound: The Political Modeling of the Domestic Performance, by Daphna Ben-Shaul

his essay engages with domestic performances—that is, works performed in private homes—to explore the notion of domesticity within a political context, specifically in Israel. As a form of site-specific performance, domestic performance usually shifts among different modes of realization, which

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A Home Unfound: The Political Modeling of the Domestic Performance, by Daphna Ben-Shaul

his essay engages with domestic performances—that is, works performed in private homes—to explore the notion of domesticity within a political context, specifically in Israel. As a form of site-specific performance, domestic performance usually shifts among different modes of realization, which

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Interview at the TV news program “Making Order” [Hebrew]

    Interview at the TV news program “Making Order”[Hebrew] Link to the interview

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Interview at the TV news program “Making Order” [Hebrew]

    Interview at the TV news program “Making Order”[Hebrew] Link to the interview

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“Between Eternal and Temporal”, by Yehudit Shlosberg-Yogev [Hebrew]

Yehudit Shlosberg-Yogev, “Between Eternal and Temporal”, Musaf Shabat, Mekor Rishon, 16.6.2017 link the on-line article    

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“Between Eternal and Temporal”, by Yehudit Shlosberg-Yogev [Hebrew]

Yehudit Shlosberg-Yogev, “Between Eternal and Temporal”, Musaf Shabat, Mekor Rishon, 16.6.2017 link the on-line article    

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Interview with Carmela Taicman [Hebrew]

16 שנים אחרי שעוררו  את עולם האמנות  הירושלמי עם סדרת אירועי “הערה”  פגשתי לשיחה  את חברי קבוצת סלה-מנקה  בבית הנסן, היום מרכז עיצוב, מדיה וטכנולוגיה. המבנה המקורי,  שתוכנן על ידי האדריכל קונרד שיק, שימש בית חולים למצורעים מאז 1887 עד שנת2000.

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Interview with Carmela Taicman [Hebrew]

16 שנים אחרי שעוררו  את עולם האמנות  הירושלמי עם סדרת אירועי “הערה”  פגשתי לשיחה  את חברי קבוצת סלה-מנקה  בבית הנסן, היום מרכז עיצוב, מדיה וטכנולוגיה. המבנה המקורי,  שתוכנן על ידי האדריכל קונרד שיק, שימש בית חולים למצורעים מאז 1887 עד שנת2000.

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Nofim Nifkadim, review by Omer Nezer, Yediot Tel Aviv & Jerusalem

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Nofim Nifkadim, review by Omer Nezer, Yediot Tel Aviv & Jerusalem

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Grupo Sala-Manca presenta Paisajes Ausentes, por Chiquita Levov (Review)

En el “Hansen House” se expone el proyecto titulado “Paisajes Ausentes” (Absentee Landscapes) del Grupo Sala-Manca junto a Nir Yahalom, Ktura Manor y Max Epstein quienes en el invierno de 2017 comenzaron a construir una réplica autorizada de una “Sucá”

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Grupo Sala-Manca presenta Paisajes Ausentes, por Chiquita Levov (Review)

En el “Hansen House” se expone el proyecto titulado “Paisajes Ausentes” (Absentee Landscapes) del Grupo Sala-Manca junto a Nir Yahalom, Ktura Manor y Max Epstein quienes en el invierno de 2017 comenzaron a construir una réplica autorizada de una “Sucá”

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COMMENTS ВЫСТАВКА «ABSENTEE LANDSCAPE» — «Отсутствующие пейзажи», Наталья Копелянская

[to the article click] ВЫСТАВКА «ABSENTEE LANDSCAPE» — «Отсутствующие пейзажи» Художники:  Sala-Manca (Lea Mauas and Diego Rotman), Ktura Manor, Nir Yahalom, Adi Kaplan and Shahar Carmel Текст: Наталья Копелянская Новый проект кураторской группы Леи Мауас и Диего Ротмана (Sala-Manca Group) посвящен созданию несанкционированной

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COMMENTS ВЫСТАВКА «ABSENTEE LANDSCAPE» — «Отсутствующие пейзажи», Наталья Копелянская

[to the article click] ВЫСТАВКА «ABSENTEE LANDSCAPE» — «Отсутствующие пейзажи» Художники:  Sala-Manca (Lea Mauas and Diego Rotman), Ktura Manor, Nir Yahalom, Adi Kaplan and Shahar Carmel Текст: Наталья Копелянская Новый проект кураторской группы Леи Мауас и Диего Ротмана (Sala-Manca Group) посвящен созданию несанкционированной

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Die ewige Sukka

Text about the Eternal Sukkah project translated into German by the Rosa Luxemburg Stiftung, who are kindly supporting the edition of the Ethnographic Department of the Museum of the Contemporary. (for the entire article click here) Die ewige Sukka –

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Die ewige Sukka

Text about the Eternal Sukkah project translated into German by the Rosa Luxemburg Stiftung, who are kindly supporting the edition of the Ethnographic Department of the Museum of the Contemporary. (for the entire article click here) Die ewige Sukka –

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The Queen’s Journal: “Diego Rotman brings art & politics to the Agnes”

Queen’s Journal, 11.11.16, by Josh Malm “On Monday, the Agnes Etherington Art Centre hosted acclaimed Argentinian-Israeli artist Diego Rotman, as he delivered a thought-provoking presentation on his latest project, The Eternal Sukkah. Rotman, an academic, interdisciplinary artist and curator, has a

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The Queen’s Journal: “Diego Rotman brings art & politics to the Agnes”

Queen’s Journal, 11.11.16, by Josh Malm “On Monday, the Agnes Etherington Art Centre hosted acclaimed Argentinian-Israeli artist Diego Rotman, as he delivered a thought-provoking presentation on his latest project, The Eternal Sukkah. Rotman, an academic, interdisciplinary artist and curator, has a

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ALEXANDRE ROIG: “LA IDENTIDAD ES UNA FORMA DE RESISTENCIA”, Por Gaspar Grieco

A review (in Spanish) about the conversation we had with Alexandre Roig and organized by Renato Fumero for the San Martin University at the Buenos Aires international book fair last Sunday.

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ALEXANDRE ROIG: “LA IDENTIDAD ES UNA FORMA DE RESISTENCIA”, Por Gaspar Grieco

A review (in Spanish) about the conversation we had with Alexandre Roig and organized by Renato Fumero for the San Martin University at the Buenos Aires international book fair last Sunday.

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About the Eternal Sukkah at the World Policy Institute Blog

Link to the article by Graham Lawson About the World Policy Institute: “The World Policy Institue was founded in New York City in 1961 as the Fund for Education Concerning World Peace through World Law, the World Policy Institute has

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About the Eternal Sukkah at the World Policy Institute Blog

Link to the article by Graham Lawson About the World Policy Institute: “The World Policy Institue was founded in New York City in 1961 as the Fund for Education Concerning World Peace through World Law, the World Policy Institute has

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The Jahalin have their own voice

Response letter by Lea Mauas and Diego Rotman to the art critic in Haaretz, published a month ago. Translation into English soon… Link to the on-line response in Haaretz כשאבו סולימן משבט הג’האלין שמע מאיתנו על הביקורת של גליה יהב

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The Jahalin have their own voice

Response letter by Lea Mauas and Diego Rotman to the art critic in Haaretz, published a month ago. Translation into English soon… Link to the on-line response in Haaretz כשאבו סולימן משבט הג’האלין שמע מאיתנו על הביקורת של גליה יהב

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