Installation & Media Based (selected)

The Messiah is a Polish Carpenter Named Maria, 2008

Action/Video Documentation “Chosen” | Wyspa Art Institut, Gdansk, Poland & Digital Art LAb Holon | Curators: Aneta Szylak, Galit Eilat Foreshadowing the Past | ARTISTERIUM in Tibilisi, Georgia | 2010 |Curator: Eyal Danon In one way or the other, most of

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The Messiah is a Polish Carpenter Named Maria, 2008

Action/Video Documentation “Chosen” | Wyspa Art Institut, Gdansk, Poland & Digital Art LAb Holon | Curators: Aneta Szylak, Galit Eilat Foreshadowing the Past | ARTISTERIUM in Tibilisi, Georgia | 2010 |Curator: Eyal Danon In one way or the other, most of

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Seara/Storm, 2006-2007

vers 2.0 presented @ Hapzura Series, Digital Art Lab Holon | curator: Eran Sachs & Heara 10 | The Science Museum | curator: Sala-manca Seara/Storm * In 1950 during a party on the roof of Marian Loop, celebrating the 100

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Seara/Storm, 2006-2007

vers 2.0 presented @ Hapzura Series, Digital Art Lab Holon | curator: Eran Sachs & Heara 10 | The Science Museum | curator: Sala-manca Seara/Storm * In 1950 during a party on the roof of Marian Loop, celebrating the 100

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Studies on New Israeli Landscapes, 2005-2008

From the beginning of the 20th century, Zionism visually represented ideologically charged Eretz Israel (Palestine), showing the local landscape as an idealized continuation of the biblical landscape. Until around 1970, Jewish Israeli art constructed an ideological representation of  “the own

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Studies on New Israeli Landscapes, 2005-2008

From the beginning of the 20th century, Zionism visually represented ideologically charged Eretz Israel (Palestine), showing the local landscape as an idealized continuation of the biblical landscape. Until around 1970, Jewish Israeli art constructed an ideological representation of  “the own

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Babylon Poems, 2006-2007

Translation, text, and sound works Exhibited in the frame of “Free Radicals”, Digital Art Lab Holon, 24.2.2007-28.04.2007 | Curator: Eyal Danon Hebrew to Hebrew translation of ten poems from the 2006-2007 matriculation exam list for Israeli high school students. The

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Babylon Poems, 2006-2007

Translation, text, and sound works Exhibited in the frame of “Free Radicals”, Digital Art Lab Holon, 24.2.2007-28.04.2007 | Curator: Eyal Danon Hebrew to Hebrew translation of ten poems from the 2006-2007 matriculation exam list for Israeli high school students. The

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Elephants in the Nights of Metula (2005-2010)

Performance (Yiddish/English/Polish/Hebrew)Presented at The Neighbour Next Door Festival (Sasiedzi dla Sasiadów – edycia V), Warsaw, Poland / Jewish Film Festival, Jerusalem /   Belfast Exposed – Interface – Ullster University, Belfast,-24.5.06 / CCA – Tel-AVIV/   ForumStadtPark, Graz, Austria – In the frame

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Elephants in the Nights of Metula (2005-2010)

Performance (Yiddish/English/Polish/Hebrew)Presented at The Neighbour Next Door Festival (Sasiedzi dla Sasiadów – edycia V), Warsaw, Poland / Jewish Film Festival, Jerusalem /   Belfast Exposed – Interface – Ullster University, Belfast,-24.5.06 / CCA – Tel-AVIV/   ForumStadtPark, Graz, Austria – In the frame

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Over Memory- Jaffa, 2004

Jaffa‘s Over Memory/Archives & Invisible Performance | Blurrr, The 4th Biennial for Performance Art, Jaffa, November, 2004 | Curator: Sergio Edelstein Documentation as a “flea.” Memory as an item. Memory creation as a purpose in itself – dialogue with the overflow

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Over Memory- Jaffa, 2004

Jaffa‘s Over Memory/Archives & Invisible Performance | Blurrr, The 4th Biennial for Performance Art, Jaffa, November, 2004 | Curator: Sergio Edelstein Documentation as a “flea.” Memory as an item. Memory creation as a purpose in itself – dialogue with the overflow

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Minute Box Machine, 2004-2008

Exhibited in the frame of “Speed of Light”, Digital Art Lab, Holon | Curators: Galit Eilat, Eyal Danon | VideoZone 2008   Minute Box Machine: A Reconstruction of Marian Loop’s Time Machine enables viewers to play with time. The Minute

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Minute Box Machine, 2004-2008

Exhibited in the frame of “Speed of Light”, Digital Art Lab, Holon | Curators: Galit Eilat, Eyal Danon | VideoZone 2008   Minute Box Machine: A Reconstruction of Marian Loop’s Time Machine enables viewers to play with time. The Minute

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Stretching the Memorial, 2004

Site specific installation, in the frame of “Heara 5″, Sergey Courtyard, Jeursalem    Stretching the Memorial is a fax installation done in a state burocratic office which was abandoned in year 2000 remaining untoched till today. The whole wall designed

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Stretching the Memorial, 2004

Site specific installation, in the frame of “Heara 5″, Sergey Courtyard, Jeursalem    Stretching the Memorial is a fax installation done in a state burocratic office which was abandoned in year 2000 remaining untoched till today. The whole wall designed

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Urban Overmemory Archives 2 – The Periphery of the Center -Holon, 2004

The “Urban Over Memory Archives of Holon” is a project consisting of documenting and cataloguing the Over Memory of the periphery of the Israeli Center for Digital Art, Holon. This project is the second in a series of urban archival

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Urban Overmemory Archives 2 – The Periphery of the Center -Holon, 2004

The “Urban Over Memory Archives of Holon” is a project consisting of documenting and cataloguing the Over Memory of the periphery of the Israeli Center for Digital Art, Holon. This project is the second in a series of urban archival

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Elections Campaign “Shalom Aleichem”, 2002

Intervention, Jerusalem 2002 | Print in Newspapers

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Elections Campaign “Shalom Aleichem”, 2002

Intervention, Jerusalem 2002 | Print in Newspapers

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To Live her Life, 2002

Video, 3′ Shown at: VideoZone – 1st Biennial of Video, Tel Aviv, November 2002; Homemade (curatorby Liliana Kadichevski) II Festival Dialogu Czterech Kultur, Lodz, Poland, September 2003; Local Time 7, Tel Aviv, Jerusalem 2004; Living in a Film, Mamuta in Hansen, Curator:

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To Live her Life, 2002

Video, 3′ Shown at: VideoZone – 1st Biennial of Video, Tel Aviv, November 2002; Homemade (curatorby Liliana Kadichevski) II Festival Dialogu Czterech Kultur, Lodz, Poland, September 2003; Local Time 7, Tel Aviv, Jerusalem 2004; Living in a Film, Mamuta in Hansen, Curator:

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Ephemeral Works, 2002

Hazira, Jerusalem, 2002. Curator: Hadas Ophrat Modern Lovers Exhibition, Three Colts Gallery – London | Curators: Pil and Galia Kollectiv In the installation were exposed 80 works made of fax paper (thermal paper), which nature will lead them to disappear.

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Ephemeral Works, 2002

Hazira, Jerusalem, 2002. Curator: Hadas Ophrat Modern Lovers Exhibition, Three Colts Gallery – London | Curators: Pil and Galia Kollectiv In the installation were exposed 80 works made of fax paper (thermal paper), which nature will lead them to disappear.

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Potiomkin Village – A Reconstruction of a Never Performed Performance, 2001

kin Village – A Reconstruction of a Never Performed Performance, Hazira, 2001 & Populus, 2002 | Installation, Performance, Video by Sala-manca Homage to Marcel Ducham (Toilette Paper and Overhead Projector         Potiemkin Village  (Kfar Potiomkin) –  Homage to

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Potiomkin Village – A Reconstruction of a Never Performed Performance, 2001

kin Village – A Reconstruction of a Never Performed Performance, Hazira, 2001 & Populus, 2002 | Installation, Performance, Video by Sala-manca Homage to Marcel Ducham (Toilette Paper and Overhead Projector         Potiemkin Village  (Kfar Potiomkin) –  Homage to

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