Interview at the TV news program “Making Order” [Hebrew]

    Interview at the TV news program “Making Order”[Hebrew] Link to the interview

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Interview at the TV news program “Making Order” [Hebrew]

    Interview at the TV news program “Making Order”[Hebrew] Link to the interview

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“Between Eternal and Temporal”, by Yehudit Shlosberg-Yogev [Hebrew]

Yehudit Shlosberg-Yogev, “Between Eternal and Temporal”, Musaf Shabat, Mekor Rishon, 16.6.2017 link the on-line article    

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“Between Eternal and Temporal”, by Yehudit Shlosberg-Yogev [Hebrew]

Yehudit Shlosberg-Yogev, “Between Eternal and Temporal”, Musaf Shabat, Mekor Rishon, 16.6.2017 link the on-line article    

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Interview with Carmela Taicman [Hebrew]

16 שנים אחרי שעוררו  את עולם האמנות  הירושלמי עם סדרת אירועי “הערה”  פגשתי לשיחה  את חברי קבוצת סלה-מנקה  בבית הנסן, היום מרכז עיצוב, מדיה וטכנולוגיה. המבנה המקורי,  שתוכנן על ידי האדריכל קונרד שיק, שימש בית חולים למצורעים מאז 1887 עד שנת2000.

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Interview with Carmela Taicman [Hebrew]

16 שנים אחרי שעוררו  את עולם האמנות  הירושלמי עם סדרת אירועי “הערה”  פגשתי לשיחה  את חברי קבוצת סלה-מנקה  בבית הנסן, היום מרכז עיצוב, מדיה וטכנולוגיה. המבנה המקורי,  שתוכנן על ידי האדריכל קונרד שיק, שימש בית חולים למצורעים מאז 1887 עד שנת2000.

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Grupo Sala-Manca presenta Paisajes Ausentes, por Chiquita Levov (Review)

En el “Hansen House” se expone el proyecto titulado “Paisajes Ausentes” (Absentee Landscapes) del Grupo Sala-Manca junto a Nir Yahalom, Ktura Manor y Max Epstein quienes en el invierno de 2017 comenzaron a construir una réplica autorizada de una “Sucá”

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Grupo Sala-Manca presenta Paisajes Ausentes, por Chiquita Levov (Review)

En el “Hansen House” se expone el proyecto titulado “Paisajes Ausentes” (Absentee Landscapes) del Grupo Sala-Manca junto a Nir Yahalom, Ktura Manor y Max Epstein quienes en el invierno de 2017 comenzaron a construir una réplica autorizada de una “Sucá”

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COMMENTS ВЫСТАВКА «ABSENTEE LANDSCAPE» — «Отсутствующие пейзажи», Наталья Копелянская

[to the article click] ВЫСТАВКА «ABSENTEE LANDSCAPE» — «Отсутствующие пейзажи» Художники:  Sala-Manca (Lea Mauas and Diego Rotman), Ktura Manor, Nir Yahalom, Adi Kaplan and Shahar Carmel Текст: Наталья Копелянская Новый проект кураторской группы Леи Мауас и Диего Ротмана (Sala-Manca Group) посвящен созданию несанкционированной

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COMMENTS ВЫСТАВКА «ABSENTEE LANDSCAPE» — «Отсутствующие пейзажи», Наталья Копелянская

[to the article click] ВЫСТАВКА «ABSENTEE LANDSCAPE» — «Отсутствующие пейзажи» Художники:  Sala-Manca (Lea Mauas and Diego Rotman), Ktura Manor, Nir Yahalom, Adi Kaplan and Shahar Carmel Текст: Наталья Копелянская Новый проект кураторской группы Леи Мауас и Диего Ротмана (Sala-Manca Group) посвящен созданию несанкционированной

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The Ethnographic Department of the Museum of the Contemporary [Hebrew]| Edited by Sala-manca (Lea Mauas, Diego Rotman) |

The Ethnographic Department of the Museum of the Contemporary [Hebrew]| Edited by Sala-manca (Lea Mauas, Diego Rotman) | Book Hebrew [English coming soon] Texts by: Galit Hasan-Rokem, Daphna Ben-Shaul, Rachel Elior, Shalom Sabar, Freddie Rokem, Sala-manca, Diego Rotman Works by:

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The Ethnographic Department of the Museum of the Contemporary [Hebrew]| Edited by Sala-manca (Lea Mauas, Diego Rotman) |

The Ethnographic Department of the Museum of the Contemporary [Hebrew]| Edited by Sala-manca (Lea Mauas, Diego Rotman) | Book Hebrew [English coming soon] Texts by: Galit Hasan-Rokem, Daphna Ben-Shaul, Rachel Elior, Shalom Sabar, Freddie Rokem, Sala-manca, Diego Rotman Works by:

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Absentee Landscapes | A project by Sala-Manca in collaboration with Nir Yahalom, Ktura Manor, Adi Kaplan and Shachar Carmel

In the winter of 2017, a group of artists (the SalaManca Group, Nir Yahalom, Ktura Manor and Max Epstein) began building an unauthorized but accurate replica of a painted wooden sukkah from Germany (dating to 1850), which is on display

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Absentee Landscapes | A project by Sala-Manca in collaboration with Nir Yahalom, Ktura Manor, Adi Kaplan and Shachar Carmel

In the winter of 2017, a group of artists (the SalaManca Group, Nir Yahalom, Ktura Manor and Max Epstein) began building an unauthorized but accurate replica of a painted wooden sukkah from Germany (dating to 1850), which is on display

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Encuentros liminales entre la academia y la novela argentino-israelí

Ciclo El artista investigador. El investigador artista. Devenires metodológicos en el arte de investigar y crear. Conferencia de Diego Rotman y Lea Mauas [http://iae.institutos.filo.uba.ar/evento/encuentros-liminales-entre-la-academia-y-la-novela-argentino-israel%C3%AD] Las áreas de Investigaciones en Artes del Espectáculo y Judeidad y en Artes Liminales, en el

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Encuentros liminales entre la academia y la novela argentino-israelí

Ciclo El artista investigador. El investigador artista. Devenires metodológicos en el arte de investigar y crear. Conferencia de Diego Rotman y Lea Mauas [http://iae.institutos.filo.uba.ar/evento/encuentros-liminales-entre-la-academia-y-la-novela-argentino-israel%C3%AD] Las áreas de Investigaciones en Artes del Espectáculo y Judeidad y en Artes Liminales, en el

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A PROPOSAL FOR THE ISRAEL PAVILION (SKETCH),BY NETA SHIRA (COHEN) ARBELI

Neta Shira (Cohen) Arbeli’s exhibition, A Proposal for the Israel Pavilion (Sketch), is presented in two of the basement spaces of the former leper hospital in Jerusalem. This is Arbeli’s first solo exhibition, who hitherto has created mainly site-specific works.

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A PROPOSAL FOR THE ISRAEL PAVILION (SKETCH),BY NETA SHIRA (COHEN) ARBELI

Neta Shira (Cohen) Arbeli’s exhibition, A Proposal for the Israel Pavilion (Sketch), is presented in two of the basement spaces of the former leper hospital in Jerusalem. This is Arbeli’s first solo exhibition, who hitherto has created mainly site-specific works.

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Die ewige Sukka

Text about the Eternal Sukkah project translated into German by the Rosa Luxemburg Stiftung, who are kindly supporting the edition of the Ethnographic Department of the Museum of the Contemporary. (for the entire article click here) Die ewige Sukka –

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Die ewige Sukka

Text about the Eternal Sukkah project translated into German by the Rosa Luxemburg Stiftung, who are kindly supporting the edition of the Ethnographic Department of the Museum of the Contemporary. (for the entire article click here) Die ewige Sukka –

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The Queen’s Journal: “Diego Rotman brings art & politics to the Agnes”

Queen’s Journal, 11.11.16, by Josh Malm “On Monday, the Agnes Etherington Art Centre hosted acclaimed Argentinian-Israeli artist Diego Rotman, as he delivered a thought-provoking presentation on his latest project, The Eternal Sukkah. Rotman, an academic, interdisciplinary artist and curator, has a

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The Queen’s Journal: “Diego Rotman brings art & politics to the Agnes”

Queen’s Journal, 11.11.16, by Josh Malm “On Monday, the Agnes Etherington Art Centre hosted acclaimed Argentinian-Israeli artist Diego Rotman, as he delivered a thought-provoking presentation on his latest project, The Eternal Sukkah. Rotman, an academic, interdisciplinary artist and curator, has a

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The Eternal Sukkah and Bawadi Documents at the Imaginary Republic, Bergen

The Eternal Sukkah project (developed by us in collabortion with Itamar Mendes-Flohr and Yeshaiahu Rabinowitz) and the www.bawadi.org development project by the Jahalin Community at Tag Team Studio in Bergen, in a project runed by Brandon LaBelle in the frame

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The Eternal Sukkah and Bawadi Documents at the Imaginary Republic, Bergen

The Eternal Sukkah project (developed by us in collabortion with Itamar Mendes-Flohr and Yeshaiahu Rabinowitz) and the www.bawadi.org development project by the Jahalin Community at Tag Team Studio in Bergen, in a project runed by Brandon LaBelle in the frame

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The Imaginary Republic (Part 2)

22/09/2016 – 16/10/2016 Sat–sun kl. 12:00–17:00  Vernissage: 22/09 kl. 19:00 – 23:00 OPENING: The Imaginary Republic (Part 2) HÉLÈNE FRICHOT MARYSIA LEWANDOWSKA DIEGO ROTMAN (Sala-Manca Group) LISE SKOU September 22nd – October 16th Welcome to the opening of the second part of

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The Imaginary Republic (Part 2)

22/09/2016 – 16/10/2016 Sat–sun kl. 12:00–17:00  Vernissage: 22/09 kl. 19:00 – 23:00 OPENING: The Imaginary Republic (Part 2) HÉLÈNE FRICHOT MARYSIA LEWANDOWSKA DIEGO ROTMAN (Sala-Manca Group) LISE SKOU September 22nd – October 16th Welcome to the opening of the second part of

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Familiar Strangers by Maya Shlefier

Familiar Stranger | Maya Shleifer Curators: Sala-Manca Mamuta Art and Research Center Opening hours: Tues.-Wed.: 10:00-14:00, Thurs: 15:00-19:00, Friday: 11:00-14:00 http://mamuta.org/?portfolio=familiar-stranger-by-maya-shleifer Passersby, people on the train, women who meet during walks, passengers on the bus – others and strangers are

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Familiar Strangers by Maya Shlefier

Familiar Stranger | Maya Shleifer Curators: Sala-Manca Mamuta Art and Research Center Opening hours: Tues.-Wed.: 10:00-14:00, Thurs: 15:00-19:00, Friday: 11:00-14:00 http://mamuta.org/?portfolio=familiar-stranger-by-maya-shleifer Passersby, people on the train, women who meet during walks, passengers on the bus – others and strangers are

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Broken Kayfabe – Keren Shavit in collaboration with Adi Omry

Opening: Tuesday July 12, 8pm Exhibition hours: Monday to Thursday 10:00-15:00 — For group and guided visits in other hours please contact us Curators: Sala-Manca North Carolina. Brooklyn. Dallas. Keren meets a family on the subway, she meets another family

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Broken Kayfabe – Keren Shavit in collaboration with Adi Omry

Opening: Tuesday July 12, 8pm Exhibition hours: Monday to Thursday 10:00-15:00 — For group and guided visits in other hours please contact us Curators: Sala-Manca North Carolina. Brooklyn. Dallas. Keren meets a family on the subway, she meets another family

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China, an exhibition by Reuven Zahavi, curated by Sala-manca

Reuven Zahavi’s exhibition “China” is named after traditionally decorated Chinese porcelain in common domestic use. Zahavi presents the Issawiyeh Tableware — a collection of disposable plastic plates which he uses as platters for his drawings. (The collection’s Hebrew name, Servis

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China, an exhibition by Reuven Zahavi, curated by Sala-manca

Reuven Zahavi’s exhibition “China” is named after traditionally decorated Chinese porcelain in common domestic use. Zahavi presents the Issawiyeh Tableware — a collection of disposable plastic plates which he uses as platters for his drawings. (The collection’s Hebrew name, Servis

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ALEXANDRE ROIG: “LA IDENTIDAD ES UNA FORMA DE RESISTENCIA”, Por Gaspar Grieco

A review (in Spanish) about the conversation we had with Alexandre Roig and organized by Renato Fumero for the San Martin University at the Buenos Aires international book fair last Sunday.

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ALEXANDRE ROIG: “LA IDENTIDAD ES UNA FORMA DE RESISTENCIA”, Por Gaspar Grieco

A review (in Spanish) about the conversation we had with Alexandre Roig and organized by Renato Fumero for the San Martin University at the Buenos Aires international book fair last Sunday.

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Permanent Breakfast in Plaza Almagro, Buenos Aires

1.5.2016 | Permanent Breakfast in Plaza Almagro, Buenos Aires  La idea principal Una persona invita a otra persona en un lugar público Las personas invitadas (generalmente 4) se comprometen a organizar lo antes posible, otro desayuno público con diferentes personas

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Permanent Breakfast in Plaza Almagro, Buenos Aires

1.5.2016 | Permanent Breakfast in Plaza Almagro, Buenos Aires  La idea principal Una persona invita a otra persona en un lugar público Las personas invitadas (generalmente 4) se comprometen a organizar lo antes posible, otro desayuno público con diferentes personas

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The History of Batya M. & The Doppelganger project in Buenos Aires

April 2016. The History of Batya M. and the first performance of the Doppelganger project was presented in our temporary apartment in Buenos Aires with  the presence of some of the actors, great public, our family, and Laura Simcovich. With

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The History of Batya M. & The Doppelganger project in Buenos Aires

April 2016. The History of Batya M. and the first performance of the Doppelganger project was presented in our temporary apartment in Buenos Aires with  the presence of some of the actors, great public, our family, and Laura Simcovich. With

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