An academic lecture on performance or a performance on an academic lecture

  Lecture presented at the  Fiction 5 Conference: “Art Tv”, Tel-Aviv University, 4.2.2006 On the borders between reality and fiction, telenovela and life, academy lecture and performance. A new approach to the works: “The History of Batya M.” (2006) and

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An academic lecture on performance or a performance on an academic lecture

  Lecture presented at the  Fiction 5 Conference: “Art Tv”, Tel-Aviv University, 4.2.2006 On the borders between reality and fiction, telenovela and life, academy lecture and performance. A new approach to the works: “The History of Batya M.” (2006) and

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On the Architecture of the Ephemeral: The Eternal Sukkah of the Jahalin Tribe, Oxford

27.1.2015 | On the Architecture of the Ephemeral: The Eternal Sukkah of the Jahalin Tribe, Oxford, Diego Rotman, Oxford University in the frame of: The Art of Cultural Translation Conference

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On the Architecture of the Ephemeral: The Eternal Sukkah of the Jahalin Tribe, Oxford

27.1.2015 | On the Architecture of the Ephemeral: The Eternal Sukkah of the Jahalin Tribe, Oxford, Diego Rotman, Oxford University in the frame of: The Art of Cultural Translation Conference

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The Ethnographic Department, 2015

Mamuta at Hansen | Artists: Yeshaiau Raboinowitz, Itamar Mendes-Flohr, Sala-manca, Ktura Manor, Ester Bires, Amitai Arnon,  Nir Yaalom, Adi Kaplan, Shahar Carmel, Hanan Abu-Hussein, Samuel Rotman |  Curators: Sala-manca Opening Hours: Monday and Thursday 10-15, Wednesday 17-21 and Fridays 9-12

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The Ethnographic Department, 2015

Mamuta at Hansen | Artists: Yeshaiau Raboinowitz, Itamar Mendes-Flohr, Sala-manca, Ktura Manor, Ester Bires, Amitai Arnon,  Nir Yaalom, Adi Kaplan, Shahar Carmel, Hanan Abu-Hussein, Samuel Rotman |  Curators: Sala-manca Opening Hours: Monday and Thursday 10-15, Wednesday 17-21 and Fridays 9-12

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Eternal Sukkah, 2014

A structure from the Jahalin Bedouin community on the Jerusalem-Jericho Road is purchased, dismantled, and reassembled in the Hansen House garden. The project and a video documentation edited by Amitar Arnon, are part of the “Ethnographi Department” of the Museum

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Eternal Sukkah, 2014

A structure from the Jahalin Bedouin community on the Jerusalem-Jericho Road is purchased, dismantled, and reassembled in the Hansen House garden. The project and a video documentation edited by Amitar Arnon, are part of the “Ethnographi Department” of the Museum

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La Máquina de Hacer Pájaros, 2014

Formica and wood box, miniature printed circuit board (PCB), MP3 players, audio sockets and earphones, power supply, metal leg, two sofas from Casa Argentina, Jerusalem Text: João Delgado; music: Yarden Erez; electronic system: Amir Markovitz; programming Exhibited in the frame

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La Máquina de Hacer Pájaros, 2014

Formica and wood box, miniature printed circuit board (PCB), MP3 players, audio sockets and earphones, power supply, metal leg, two sofas from Casa Argentina, Jerusalem Text: João Delgado; music: Yarden Erez; electronic system: Amir Markovitz; programming Exhibited in the frame

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Between An-sky and Canaan, Yaad Biran, 1.2015

Between An-sky and Canaan, Yaad Biran, Beth Shalom Aleichem, 1.2015 בין ש. אנ-סקי לתאופיק כנעאן  המחלקה האתנוגרפית (תערוכה), המוזיאון של העכשווי, בית הנסן, ירושלים תערוכת האמנות המוצגת ב”מוזיאון של העכשווי” של קבוצת סלה-מנקה, נוצרה בהשראתה של המשלחת האתנוגרפית שהוביל ש.

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Between An-sky and Canaan, Yaad Biran, 1.2015

Between An-sky and Canaan, Yaad Biran, Beth Shalom Aleichem, 1.2015 בין ש. אנ-סקי לתאופיק כנעאן  המחלקה האתנוגרפית (תערוכה), המוזיאון של העכשווי, בית הנסן, ירושלים תערוכת האמנות המוצגת ב”מוזיאון של העכשווי” של קבוצת סלה-מנקה, נוצרה בהשראתה של המשלחת האתנוגרפית שהוביל ש.

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Israeli Time, 2015

Interactive installation and questionnaire Exhibited at The Ethnographic Department, 2015 Concept: Sala-manca | Programmer: Guy Yitzhaki “Real time” is an interactive machine that makes part of the sounds shaping Israeli time and pacing conduct according to one’s awareness of the

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Israeli Time, 2015

Interactive installation and questionnaire Exhibited at The Ethnographic Department, 2015 Concept: Sala-manca | Programmer: Guy Yitzhaki “Real time” is an interactive machine that makes part of the sounds shaping Israeli time and pacing conduct according to one’s awareness of the

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In his/her Voice | The Voice of the Word Performance Festival, 2014

Participating Artists: Adi Kaplan, Shachar Carmel, Tom Soloveichik, Alex Drool, Josef Sprinzak, Carmel Bar, Li Lorian, Adam Yodfat, Victoria Hanna, Noam Inbar, Shira Borer, Jerusalem Conservatory Chamber Orchestra with Conductor Michael Klinghoffer, Ilan Volkov, Zohar Shafir, Tomer Damsky, Eran Sachs,

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In his/her Voice | The Voice of the Word Performance Festival, 2014

Participating Artists: Adi Kaplan, Shachar Carmel, Tom Soloveichik, Alex Drool, Josef Sprinzak, Carmel Bar, Li Lorian, Adam Yodfat, Victoria Hanna, Noam Inbar, Shira Borer, Jerusalem Conservatory Chamber Orchestra with Conductor Michael Klinghoffer, Ilan Volkov, Zohar Shafir, Tomer Damsky, Eran Sachs,

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The Underground Academy, Open Studio, 2014

The Underground Academy – The Academy of the Contemporary Open Studio Exhibition in the frame of Manofim 2014 Artists: Chen Cohen,  Ktura Manor, Itamar Mendes-Flohr,  Sala-Manca, Yeshaiau Rabinowitz, Yoel Regev, Maytal Rotenberg, Ayelet Zohar In 1963 Portuguese poet João DelgadoIn

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The Underground Academy, Open Studio, 2014

The Underground Academy – The Academy of the Contemporary Open Studio Exhibition in the frame of Manofim 2014 Artists: Chen Cohen,  Ktura Manor, Itamar Mendes-Flohr,  Sala-Manca, Yeshaiau Rabinowitz, Yoel Regev, Maytal Rotenberg, Ayelet Zohar In 1963 Portuguese poet João DelgadoIn

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Heara art events:’Here it is not Switzerland’, Ariane Littman, 2014

Heara art events:’Here it is not Switzerland’, 2014 Or some thoughts about the Heara’s art events in Jerusalem The Heara (comments) multidisciplinary art events orchestrated by Lea Mauas and Diego Rotman of the Sala-Manca art group  that took place in

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Heara art events:’Here it is not Switzerland’, Ariane Littman, 2014

Heara art events:’Here it is not Switzerland’, 2014 Or some thoughts about the Heara’s art events in Jerusalem The Heara (comments) multidisciplinary art events orchestrated by Lea Mauas and Diego Rotman of the Sala-Manca art group  that took place in

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De la mèr(e) au désert by Chantal Akerman, 2014

AN EXHIBITION BY CHANTAL AKERMAN “For me, the whole piece is like throwing a stone into the river and then creating ripples and ripples and ripples and ripples…” (Chantal Akerman) Curators: Sharon Balaban, Sala-manca | Mamuta at Hansen .The installation

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De la mèr(e) au désert by Chantal Akerman, 2014

AN EXHIBITION BY CHANTAL AKERMAN “For me, the whole piece is like throwing a stone into the river and then creating ripples and ripples and ripples and ripples…” (Chantal Akerman) Curators: Sharon Balaban, Sala-manca | Mamuta at Hansen .The installation

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*Heara – Independent Art in Jerusalem at the Beginning of the 21st Century, 2014

Ronen Eidelman, Lea Mauas, Diego Rotman (eds.), *Heara – Independent Art in Jerusalem at the Beginning of the 21st Century, 2014, Jerusalem: Hearat Shulaym, 2014 [English and Hebrew | Book, 352 p.] *Heara is a collection of testimonies, reflections, interpretations and documentations of Heara events,

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*Heara – Independent Art in Jerusalem at the Beginning of the 21st Century, 2014

Ronen Eidelman, Lea Mauas, Diego Rotman (eds.), *Heara – Independent Art in Jerusalem at the Beginning of the 21st Century, 2014, Jerusalem: Hearat Shulaym, 2014 [English and Hebrew | Book, 352 p.] *Heara is a collection of testimonies, reflections, interpretations and documentations of Heara events,

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Borderline, 2013

Borderline – Two performance events in the frame of Rashamim (drawing biennale) and with the collaboration of Daat HaMakom Participating artists: adi kaplan and shahar carmel together with Dudu Carmel and invited musicians, shira legmann together with musica nova consort,

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Borderline, 2013

Borderline – Two performance events in the frame of Rashamim (drawing biennale) and with the collaboration of Daat HaMakom Participating artists: adi kaplan and shahar carmel together with Dudu Carmel and invited musicians, shira legmann together with musica nova consort,

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The Home-Performance of Sala-manca Group, Tamar Rotem, 22.1.2014

The Home-Performance of Sala-manca Group, Tamar Rotem, Haaretz, 22.1.2014 Click image to enlarge

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The Home-Performance of Sala-manca Group, Tamar Rotem, 22.1.2014

The Home-Performance of Sala-manca Group, Tamar Rotem, Haaretz, 22.1.2014 Click image to enlarge

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Living in a Film, 2014

Mamuta at Hansen | January-February 2013 Artists: Asya Lukin, Itamar Mendes-Flohr, Guy Yitzhaki, Hagar Goren, Hadassa Goldvitch, Zemer Sat, Yarden Erez, Einat Amir and Sala-Manca Curators: Sala-manca The project, which incorporates art, cinema and performance, will feature eight artists who were artists-in-residence

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Living in a Film, 2014

Mamuta at Hansen | January-February 2013 Artists: Asya Lukin, Itamar Mendes-Flohr, Guy Yitzhaki, Hagar Goren, Hadassa Goldvitch, Zemer Sat, Yarden Erez, Einat Amir and Sala-Manca Curators: Sala-manca The project, which incorporates art, cinema and performance, will feature eight artists who were artists-in-residence

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The History of Batya M. : The Return Home, 2013

Shown at the salon of the artits’s house, Musrara, 2013 Sala-manca, Laura Simcovich, Dina Blei, Andres Simcovich, Samuel Rotman, Ayu, Nahuel, Cuca | Music: Yarden Erez “Batya M. – The Return Home (2013)” is the last (and only) episode of

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The History of Batya M. : The Return Home, 2013

Shown at the salon of the artits’s house, Musrara, 2013 Sala-manca, Laura Simcovich, Dina Blei, Andres Simcovich, Samuel Rotman, Ayu, Nahuel, Cuca | Music: Yarden Erez “Batya M. – The Return Home (2013)” is the last (and only) episode of

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Blaybn Vet a Vint, 2013

Interactive Object | Show at “Nivim”, Agripas12 Gallery | Curator: Albert Suissa Programing: Guy Yitzhaki Interactive machine for blind reading Sutzkever’s poetry in Yiddish and Hebrew. You read with the finger.   Albert Suissa curatorial text: click to enlarge  

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Blaybn Vet a Vint, 2013

Interactive Object | Show at “Nivim”, Agripas12 Gallery | Curator: Albert Suissa Programing: Guy Yitzhaki Interactive machine for blind reading Sutzkever’s poetry in Yiddish and Hebrew. You read with the finger.   Albert Suissa curatorial text: click to enlarge  

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Autonomy & Anatomy of the Moving Image (conference), 2013

AUTONOMY & ANATOMY OF THE MOVING IMAGE: Video & Experimental Cinema in the Last Decade Celebrating 10 years of the Video Art and Experimental Cinema Awards at the Jerusalem Film Festival July 7-9 •  Jerusalem Cinematheque •  Free Entrance (except for

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Autonomy & Anatomy of the Moving Image (conference), 2013

AUTONOMY & ANATOMY OF THE MOVING IMAGE: Video & Experimental Cinema in the Last Decade Celebrating 10 years of the Video Art and Experimental Cinema Awards at the Jerusalem Film Festival July 7-9 •  Jerusalem Cinematheque •  Free Entrance (except for

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Haifa-Jerusalem-Tel Aviv, 2013

Haifa-Jerusalem-Tel Aviv, Haifa Museum, Curator: Ruti Direktor Mofc project: Sala-manca | Exhibited Show: “File Transfer Protocol”, Curators: Pil and Galia Kollectiv Mauas and Rotman devised the project The Storage Room, as part of The Museum of the Contemporary which they

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Haifa-Jerusalem-Tel Aviv, 2013

Haifa-Jerusalem-Tel Aviv, Haifa Museum, Curator: Ruti Direktor Mofc project: Sala-manca | Exhibited Show: “File Transfer Protocol”, Curators: Pil and Galia Kollectiv Mauas and Rotman devised the project The Storage Room, as part of The Museum of the Contemporary which they

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Total Investment, 2013

The project budget for the work was 1000 nis. The work is a sculpture  comprised of 1000 – shekel coins, the artists’ fee including expenses. The sculpture is for sale. the price is 8000 shekel. Performa 0:2 Festival / School of

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Total Investment, 2013

The project budget for the work was 1000 nis. The work is a sculpture  comprised of 1000 – shekel coins, the artists’ fee including expenses. The sculpture is for sale. the price is 8000 shekel. Performa 0:2 Festival / School of

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