The Imaginary Republic | 31.8.2015 | Bergen Kunsthalle

An evening of thinking together with contributors to The Imaginary Republic: Dr. Hélène Frichot, Associate Professor, KTH Stockholm Georgia Kotretsos, Artist, Athens Dr. Brandon LaBelle, Professor, Bergen Academy of Art and Design Dr. Diego Rotman, Researcher, Hebrew University, Jerusalem Lise

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The Imaginary Republic | 31.8.2015 | Bergen Kunsthalle

An evening of thinking together with contributors to The Imaginary Republic: Dr. Hélène Frichot, Associate Professor, KTH Stockholm Georgia Kotretsos, Artist, Athens Dr. Brandon LaBelle, Professor, Bergen Academy of Art and Design Dr. Diego Rotman, Researcher, Hebrew University, Jerusalem Lise

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Paradise

Paradise Inn Paradise Inn, Talbiyeh, Jerusalem. A dream for only one person. Infinite stars and a real gate to paradise. Reserve your room at the former Lepers’ home. Jerusalem, where any piece of land can become your temporary dwelling. In

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Paradise

Paradise Inn Paradise Inn, Talbiyeh, Jerusalem. A dream for only one person. Infinite stars and a real gate to paradise. Reserve your room at the former Lepers’ home. Jerusalem, where any piece of land can become your temporary dwelling. In

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Jacqueline Grandjean about the Eternal Sukkah (dutch)

A comment on the Sukkah project in dutch bY Jacqueline Grandjean directeur en curator Oude Kerk, Amsterdam): “Sala-Manca is het enige onafhankelijke kunstenaarsplatform van de stad, gevestigd in een voormalig leprozentehuis Jesus Hilfe in Jerusalem. Ideologie is om een actieve

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Jacqueline Grandjean about the Eternal Sukkah (dutch)

A comment on the Sukkah project in dutch bY Jacqueline Grandjean directeur en curator Oude Kerk, Amsterdam): “Sala-Manca is het enige onafhankelijke kunstenaarsplatform van de stad, gevestigd in een voormalig leprozentehuis Jesus Hilfe in Jerusalem. Ideologie is om een actieve

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The Israel Museum purchased the Bedouin Sukkah

We are glad to announce that the “Eternal Sukkah” (a collaborative projecct by Sala Manca with Itamar Mendes-Flohr and Yeshaiahu Rabinovitz) was bought by the Israel Museum, Jerusalem for its permanent collection. Half of the sum is going to be

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The Israel Museum purchased the Bedouin Sukkah

We are glad to announce that the “Eternal Sukkah” (a collaborative projecct by Sala Manca with Itamar Mendes-Flohr and Yeshaiahu Rabinovitz) was bought by the Israel Museum, Jerusalem for its permanent collection. Half of the sum is going to be

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The Monologues of the Usher at the Jerusalem Film Festival Screenings

Esther, born to a Jewish Orthodox family, left religion and fell in love with the usher of the Lisbon Cinema, which operated in the basement of the lepers’ house in Lisbon, Portugal from 1963 to 1973 (during the Salazar dictatorship

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The Monologues of the Usher at the Jerusalem Film Festival Screenings

Esther, born to a Jewish Orthodox family, left religion and fell in love with the usher of the Lisbon Cinema, which operated in the basement of the lepers’ house in Lisbon, Portugal from 1963 to 1973 (during the Salazar dictatorship

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ESTRATEGIAS PARA INTERVENIR LO PÚBLICO / Mesa Redonda

Participan: Diego Rotman (Israel) Malena Beer(Argentina) Elias Boulé (Suiza) Modera: PAPO – Paternal: Arte y Política El próximo Sábado 11 de Abril, LPEP invita a la primer mesa redonda del año 2015 : ” Estrategias para intervenir lo público”, donde

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ESTRATEGIAS PARA INTERVENIR LO PÚBLICO / Mesa Redonda

Participan: Diego Rotman (Israel) Malena Beer(Argentina) Elias Boulé (Suiza) Modera: PAPO – Paternal: Arte y Política El próximo Sábado 11 de Abril, LPEP invita a la primer mesa redonda del año 2015 : ” Estrategias para intervenir lo público”, donde

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Discusión de textos: “On the Architecture of the Ephemeral: The Eternal Sukkah of the Jahalin Tribe”, de Diego Rotman

Discusión de textos: “On the Architecture of the Ephemeral: The Eternal Sukkah of the Jahalin Tribe”, de Diego Rotman || “Descosiendo Fronteras: migración judía y relaciones de género en el mundo textil de Buenos Aires y São Paulo, 1900–1960”, de

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Discusión de textos: “On the Architecture of the Ephemeral: The Eternal Sukkah of the Jahalin Tribe”, de Diego Rotman

Discusión de textos: “On the Architecture of the Ephemeral: The Eternal Sukkah of the Jahalin Tribe”, de Diego Rotman || “Descosiendo Fronteras: migración judía y relaciones de género en el mundo textil de Buenos Aires y São Paulo, 1900–1960”, de

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Mamuta and the JFF at La Ira de Dios, Buenos Aires

Presenting a selection of Israeli Video Art from the “Intersections” of the Jerusalem Film Festival at La Ira de Dios Buenos Aires, curated by Sala-manca: Intersections (Israel Video Art) from the Jerusalem Film Festival – Expermiental Cinema and Video Art

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Mamuta and the JFF at La Ira de Dios, Buenos Aires

Presenting a selection of Israeli Video Art from the “Intersections” of the Jerusalem Film Festival at La Ira de Dios Buenos Aires, curated by Sala-manca: Intersections (Israel Video Art) from the Jerusalem Film Festival – Expermiental Cinema and Video Art

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A Tool is a Tool is Rose, at Brooklyn Rail

A new text by us (A Tool is a Tool is a Rose), published as part of the “Tools and Contemporary Art” by Barbara London in the Guest Art Editor section of The Brooklyn Rail

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A Tool is a Tool is Rose, at Brooklyn Rail

A new text by us (A Tool is a Tool is a Rose), published as part of the “Tools and Contemporary Art” by Barbara London in the Guest Art Editor section of The Brooklyn Rail

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An academic lecture on performance or a performance on an academic lecture

  Lecture presented at the  Fiction 5 Conference: “Art Tv”, Tel-Aviv University, 4.2.2006 On the borders between reality and fiction, telenovela and life, academy lecture and performance. A new approach to the works: “The History of Batya M.” (2006) and

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An academic lecture on performance or a performance on an academic lecture

  Lecture presented at the  Fiction 5 Conference: “Art Tv”, Tel-Aviv University, 4.2.2006 On the borders between reality and fiction, telenovela and life, academy lecture and performance. A new approach to the works: “The History of Batya M.” (2006) and

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On the Architecture of the Ephemeral: The Eternal Sukkah of the Jahalin Tribe, Oxford

27.1.2015 | On the Architecture of the Ephemeral: The Eternal Sukkah of the Jahalin Tribe, Oxford, Diego Rotman, Oxford University in the frame of: The Art of Cultural Translation Conference

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On the Architecture of the Ephemeral: The Eternal Sukkah of the Jahalin Tribe, Oxford

27.1.2015 | On the Architecture of the Ephemeral: The Eternal Sukkah of the Jahalin Tribe, Oxford, Diego Rotman, Oxford University in the frame of: The Art of Cultural Translation Conference

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The Ethnographic Department, 2015

Mamuta at Hansen | Artists: Yeshaiau Raboinowitz, Itamar Mendes-Flohr, Sala-manca, Ktura Manor, Ester Bires, Amitai Arnon,  Nir Yaalom, Adi Kaplan, Shahar Carmel, Hanan Abu-Hussein, Samuel Rotman |  Curators: Sala-manca Opening Hours: Monday and Thursday 10-15, Wednesday 17-21 and Fridays 9-12

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The Ethnographic Department, 2015

Mamuta at Hansen | Artists: Yeshaiau Raboinowitz, Itamar Mendes-Flohr, Sala-manca, Ktura Manor, Ester Bires, Amitai Arnon,  Nir Yaalom, Adi Kaplan, Shahar Carmel, Hanan Abu-Hussein, Samuel Rotman |  Curators: Sala-manca Opening Hours: Monday and Thursday 10-15, Wednesday 17-21 and Fridays 9-12

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Eternal Sukkah, 2014

A structure from the Jahalin Bedouin community on the Jerusalem-Jericho Road is purchased, dismantled, and reassembled in the Hansen House garden. The project and a video documentation edited by Amitar Arnon, are part of the “Ethnographi Department” of the Museum

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Eternal Sukkah, 2014

A structure from the Jahalin Bedouin community on the Jerusalem-Jericho Road is purchased, dismantled, and reassembled in the Hansen House garden. The project and a video documentation edited by Amitar Arnon, are part of the “Ethnographi Department” of the Museum

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La Máquina de Hacer Pájaros, 2014

Formica and wood box, miniature printed circuit board (PCB), MP3 players, audio sockets and earphones, power supply, metal leg, two sofas from Casa Argentina, Jerusalem Text: João Delgado; music: Yarden Erez; electronic system: Amir Markovitz; programming Exhibited in the frame

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La Máquina de Hacer Pájaros, 2014

Formica and wood box, miniature printed circuit board (PCB), MP3 players, audio sockets and earphones, power supply, metal leg, two sofas from Casa Argentina, Jerusalem Text: João Delgado; music: Yarden Erez; electronic system: Amir Markovitz; programming Exhibited in the frame

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Between An-sky and Canaan, Yaad Biran, 1.2015

Between An-sky and Canaan, Yaad Biran, Beth Shalom Aleichem, 1.2015 בין ש. אנ-סקי לתאופיק כנעאן  המחלקה האתנוגרפית (תערוכה), המוזיאון של העכשווי, בית הנסן, ירושלים תערוכת האמנות המוצגת ב”מוזיאון של העכשווי” של קבוצת סלה-מנקה, נוצרה בהשראתה של המשלחת האתנוגרפית שהוביל ש.

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Between An-sky and Canaan, Yaad Biran, 1.2015

Between An-sky and Canaan, Yaad Biran, Beth Shalom Aleichem, 1.2015 בין ש. אנ-סקי לתאופיק כנעאן  המחלקה האתנוגרפית (תערוכה), המוזיאון של העכשווי, בית הנסן, ירושלים תערוכת האמנות המוצגת ב”מוזיאון של העכשווי” של קבוצת סלה-מנקה, נוצרה בהשראתה של המשלחת האתנוגרפית שהוביל ש.

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Israeli Time, 2015

Interactive installation and questionnaire Exhibited at The Ethnographic Department, 2015 Concept: Sala-manca | Programmer: Guy Yitzhaki “Real time” is an interactive machine that makes part of the sounds shaping Israeli time and pacing conduct according to one’s awareness of the

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Israeli Time, 2015

Interactive installation and questionnaire Exhibited at The Ethnographic Department, 2015 Concept: Sala-manca | Programmer: Guy Yitzhaki “Real time” is an interactive machine that makes part of the sounds shaping Israeli time and pacing conduct according to one’s awareness of the

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In his/her Voice | The Voice of the Word Performance Festival, 2014

Participating Artists: Adi Kaplan, Shachar Carmel, Tom Soloveichik, Alex Drool, Josef Sprinzak, Carmel Bar, Li Lorian, Adam Yodfat, Victoria Hanna, Noam Inbar, Shira Borer, Jerusalem Conservatory Chamber Orchestra with Conductor Michael Klinghoffer, Ilan Volkov, Zohar Shafir, Tomer Damsky, Eran Sachs,

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In his/her Voice | The Voice of the Word Performance Festival, 2014

Participating Artists: Adi Kaplan, Shachar Carmel, Tom Soloveichik, Alex Drool, Josef Sprinzak, Carmel Bar, Li Lorian, Adam Yodfat, Victoria Hanna, Noam Inbar, Shira Borer, Jerusalem Conservatory Chamber Orchestra with Conductor Michael Klinghoffer, Ilan Volkov, Zohar Shafir, Tomer Damsky, Eran Sachs,

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The Underground Academy, Open Studio, 2014

The Underground Academy – The Academy of the Contemporary Open Studio Exhibition in the frame of Manofim 2014 Artists: Chen Cohen,  Ktura Manor, Itamar Mendes-Flohr,  Sala-Manca, Yeshaiau Rabinowitz, Yoel Regev, Maytal Rotenberg, Ayelet Zohar In 1963 Portuguese poet João DelgadoIn

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The Underground Academy, Open Studio, 2014

The Underground Academy – The Academy of the Contemporary Open Studio Exhibition in the frame of Manofim 2014 Artists: Chen Cohen,  Ktura Manor, Itamar Mendes-Flohr,  Sala-Manca, Yeshaiau Rabinowitz, Yoel Regev, Maytal Rotenberg, Ayelet Zohar In 1963 Portuguese poet João DelgadoIn

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Heara art events:’Here it is not Switzerland’, Ariane Littman, 2014

Heara art events:’Here it is not Switzerland’, 2014 Or some thoughts about the Heara’s art events in Jerusalem The Heara (comments) multidisciplinary art events orchestrated by Lea Mauas and Diego Rotman of the Sala-Manca art group  that took place in

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Heara art events:’Here it is not Switzerland’, Ariane Littman, 2014

Heara art events:’Here it is not Switzerland’, 2014 Or some thoughts about the Heara’s art events in Jerusalem The Heara (comments) multidisciplinary art events orchestrated by Lea Mauas and Diego Rotman of the Sala-Manca art group  that took place in

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